Scroll down below to explore the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for over three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.
Access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject. If there is a particular subject, era, style or artist of interest, please contact our concierge service for a tailor-made private view.
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#891 - Elliott Erwitt
Paris, Arc de Triomphe, 1956“In life’s saddest winter moments, when you’ve been under a cloud for weeks, suddenly a glimpse of something wonderful can change the whole complexion of things, your entire feeling.The kind of photography I like to do, capturing the moment, it is very much like that break in the clouds. In a flash, a wonderful picture seems to come out of nowhere”
~ Elliott Erwitt
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#890 - Louis Stettner
La Pause, Restaurant Clauzel, Paris, c. 1950/Printed Later“A photograph should always have the last word. Surrounded by silence, it should by its presence dominate all those who look at it. Even the photographer should keep quiet. The picture is taken, their work is done.”
~ Louis Stettner
1922-2016 -
#889 - Pentti Sammallahti
Gotland, Sweden (Horse & Windmill), 1993"Like a circle in a spiral, like a wheel within a wheel
Never ending or beginning on an ever spinning reel
As the images unwind, like the circles that you find
In the windmills of your mind!"
~ from 'The Windmills of your Mind' (1968)
First recorded by Noel Harrison
Lyrics written by Alan & Marilyn Bergman
with music composed by Michel Legrand -
#888 - Horst P. Horst
Lisa, Hands with Flask & Flowers, 1941 (Printed Later)"I like taking photographs because I like life. And I like photographing people best of all because most of all I love humanity."
~ Horst P. Horst -
#887 - Kurt Markus
Bert Ancell, Bell Ranch, New Mexico, 1983"It’s not about a moment, it’s about a moment made."
~ Kurt Markus
(1947 - 2022) -
#886 - Sarah Moon
Maria Grazia Chiuri for Dior, 2017"Real elegance is everywhere, especially in things that don't show it"
~ Christian Dior -
#885 - Elliott Erwitt
California, Malibu Kiss“I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you,
My heart moves from cold to fire.
I love you only because it's you the one I love;
I hate you deeply, and hating you, bend to you,
and the measure of my changing love for you,
Is that I do not see you but love you blindly.Maybe January light will consume my heart with its cruel ray,
stealing my key to true calm.
In this part of the story I am the one who dies,
The only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.”
~ Pablo Neruda
(Sonnet LXVI: I Do Not Love You Except Because I Love You) -
#884 - Elliott Erwitt
Jackie Kennedy at Funeral, 1963“Pictures have to do with heart and mind and eye and they have to communicate and as long as they do that it’s valid”
~ Elliott Erwitt
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#882 - Imogen Cunningham
Triangles, 1928, printed later“My interest in photography has something to do with the aesthetic and that there should be a little beauty in everything”
Imogen Cunningham
(1883-1976) -
#883 - Gertrude Käsebier
The Manger, 1903“The key to artistic photography is to work out your own thoughts, by yourself. Imitation leads to certain disaster. New ideas are always antagonized. Do not mind that. If a thing is good it will survive”
~ Gertrude Käsebier
(1853-1934) -
#881 - Brassaï
Lovers Reflected In Mirror, 1932 (Printed 1960's)“The real night people live at night not out of necessity, but because they they want to. They belong to the world of pleasure and love, a secret suspicious world closed to the uninitiated"
Brassaï
(1899-1984) -
#880 - Michael Kenna
Kussharo Lake Tree, Study 5, Kotan, Hokkaido, Japan, 2007“I like to get to know trees intimately. I spend a lot of time walking around them trying to become acquainted with them. In fact, it’s as though I talk to them.”
~ Michael Kenna
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#879 - Charles Harbutt
Flirt, Lower East Side, NY, 1960, printed later“I soon understood that I could get closer to the feel of things by taking pictures.”
~ Charles Harbutt
1935-2015 -
#878 - Elliott Erwitt
New York City, 1999“Dogs have more to do than children. For one thing, they are focused to lead a life that is really schizoid. Every minute, they have to be on two planes at once, juggling the dog world against the human world. And they’re always on call. Their owners want instant affection everyday, any time of day. A dog can never say that he has other things to do. He can never have a headache, like a wife.”
~ Elliott Erwitt
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#877 - Ernesto Esquer
Empire State Building (Night), New York, 2018“There is something in the New York air that makes sleep useless.”
~ Simone de Beauvoir -
#876 - Edouard Boubat
Le Pont de Brooklyn, New York, 1982/Printed Later“We are all living letters. All our troubles, our problems and our joys are written inside us. We are living photographs. Photography reveals the images hidden within us”
~ Edouard Boubat
(1923 - 1999) -
#875 - Gregory Conniff
Yalobusha County, Mississippi, 2004/Printed 2007"I believe that each of us has a unique structure of visual organization. I also believe that whatever structure we have is the result of the visual character of the place in which we spent our earliest years. Each of us sees with our own pattern, but artists and gardeners are the ones to find that pattern and build something that we can see around it."
~ Gregory Conniff
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#874 - Pentti Sammallahti
Helsinki, Finland (Embrace), 1983"I love her and it is the beginning of everything."
~ F. Scott Fitzgerald
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#873 - Robert Doisneau
Café noir et blanc, 1948“There is a kind of pathos about the bride drinking at the bar. Humor is a feeling of shame for overt emotion. When the scene is too tender - or too cruel- you take refuge in humor to avoid that sense of embarrassment"
~ Robert Doisneau
1912-1994 -
#872 - Henri Cartier-Bresson
Hyères, France, 1932/Printed later“Photography is not documentation but intuition, a poetic experience. It’s drowning yourself, dissolving yourself, then sniff, sniff, sniff- being sensitive to coincidence. You can’t go looking for it: you can’t want it or you won’t get it. First you must lose yourself. Then it happens"
~ Henri Cartier-Bresson
1908-2004 -
#871 - Edouard Boubat
Tuscany, Italy, 1956/Printed Later“Just like the thunderbolt of first love or a first glance wipes away everything else and creates a kind of emptiness, I swear that at the precise moment of clicking the shutter, I have no forethought, no desire, no intention, no memory. The subject has taken hold of me: this is the impulse of acting without self interest. It happens in a moment. I am open, this opening lets in the fleeting moment when everything is bathed in the same light. This is how artists, painters, musicians, photographers - truly know themselves. Deep down they feel the same thrill as everyone else. The first glance is complete, in the light of the whole. I take portraits of light”
~ Edouard Boubat
(1923 - 1999) -
#870 - Eve Arnold
Wedding Ceremony, Church of England, 1963“If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument."
~ Eve Arnold -
#869 - Julian Wasser
Steve McQueen, 1963"The world is as good as you are. You've got to learn to like yourself first."
~ Steve McQueen
(1930-1980) -
#868 - Edouard Boubat
Deux Fillettes à Maubert, Paris, 1952“You cannot live when you are untouchable. Life is vulnerability”
~ Edouard Boubat
(1923 - 1999) -
#867 - Eve Arnold
Marilyn Monroe, on the Nevada desert going over her lines for a difficult scene she is about to play with Clark Gable in the film, "The Misfits" by John Huston, 1960“Although she seems uncertain, her understanding of what would make her a movies star was so great. The need also was so great. The intelligence was there too. She created Marilyn. She created that character, it wasn’t the movies that did it. She did it. She had much more control with a still camera than in the movies. We would discuss what we were going to do and then we would play. We used to laugh a lot. It was great.
Neither one of us knew what we were doing and that was a bond between us. Secondly, I was not a threat to her. I had six sessions with her. The shortest was two hours which was a press event, and the longest was two months on the set of “The Misfits”. Her enemy was that she couldn’t sleep, so she would take sleeping tablets. I saw an enormous change in her over the ten years that I photographed her. In that time she had gone from a beginner to a world figure and it had taken its toll. She created “Marilyn Monroe” but it was very hard on her. To my knowledge as long as she could fantasize about being a movie star she was fine. It was when the fantasy became the reality that it was hard”~ Eve Arnold
(1912 - 2012)“A nice girl knows her limits, a smart girl knows that she has none”
~ Marilyn Monroe
(1926 - 1962) -
#866 - Elliott Erwitt
Bratsk, Siberia, 1967"I was doing a magazine story about the hydroelectric dam in Bratsk, which at that time was the largest in the world, but when you’re in a place you want to look around as well so I walked into this wedding palace. You can read anything you want into it. I think that if you explain pictures it’s like explaining jokes, or as a friend of mine used to say “It’s like dissecting a frog: once it’s dissected it’s dead". If it hits you, fine. If it doesn’t, that’s fine too. A picture has more than content, it has also a position, a style and so forth, so if you get something out of it, it’s good enough: if you get something beyond that, it’s even better"
~ Elliott Erwitt
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#865 - Sarah Moon
Blues, 1996“I’ve always known that I didn’t know what I was looking for, that the quest was more important than the prize, that was enough to keep me going”
~ Sarah Moon
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#864 - Robert Doisneau
Le Baiser de l'Opéra, 1950“Life is short. Break the rules. Forgive quickly, kiss slowly. Love truly. Laugh uncontrollably and never regret anything that made you smile. The world I was trying to present was one where I would feel good, where people would be friendly, where I could find the tenderness I longed for. My photos were like a proof that such a world could exist.”
~ Robert Doisneau
(1912-1994) -
#863 - Edouard Boubat
Le Pont Neuf, Paris, 1948“Every photo is my first photo. I have avoided nothing, roads, trains, plains, tiredness, departures, passions, morning light, desire for others, life. People often ask me “How did you begin?” I like to answer: “With light". I look out every morning, like a farmer, at the grey and white sky of Paris. I wake with the promise of sunshine”
~ Edouard Boubat(1923 - 1999) -
#862 - Jean-Philippe Charbonnier
Backstage at the Folies Bergeres, 1960/Printed 2002“To me exotic is a subway ticket away from my home. There is no need for me to buy a round trip ticket to Japan. I photographed people not always without cruelty, certainly, but with an impassioned interest with a lucid tenderness”
~ Jean-Philippe Charbonnier
(1921-2004) -
#861 - Bert Hardy
Sugar Ray Robinson, 1951“To be a champ you have to believe in yourself when no one else will”
~ Sugar Ray Robinson
(1921-1989)“Everywhere I look and most of the time I look, I see photographs”
~ Bert Hardy
(1913-1990) -
#860 - Dan Budnik
Voter Registration Demonstration outside the Dallas County Courthouse, Students with Quimtella Harrell, center, age 10, Selma, Alabama, March 5, 1965“Violence as a way of achieving racial justice is both impractical and immoral. I am not unmindful of the fact that violence often brings about momentary results. Nations have frequently won their independence in battle. But in spite of temporary victories, violence never brings permanent peace. It solves no social problem: it merely creates new and more complicated ones. Violence is impractical because it is a descending spiral ending in destruction for all. It is immoral because it seeks to humiliate the opponent rather than win his understanding: it seeks to annihilate rather than convert. Violence is immoral because it thrives on hatred rather than love. It destroys community and makes brotherhood impossible. It leaves society in monologue rather than dialogue. Violence ends up defeating itself.”
~ Martin Luther King
(1929 -1968)"The child marchers and protesters were some of the most inspiring participants of the Civil Rights movement to me. The authorities arrested thousands of people who were demonstrating for voting rights primarily in Selma and Montgomery, Alabama. The jails were overflowing. They used a sports stadium in Selma to detain people. I realized the kids had formed a certain resolve. They’d seen their parents forced to live a certain way, and they weren’t going to do that. When I saw that, I knew change was imminent. These young students, considering the threat of violence they faced, acted very heroically. One young lady in particular stands out in my mind to this day — Quintella Harrel, a demonstrator for voter registration who was only ten. Her face had that resolve, and to me, she personified inevitable change."
~ Dan Budnick
(1933 - 2020) -
#859 - Edouard Boubat
La Partition, Paris 1982“My pictures do not only belong to me”
~ Edouard Boubat
(1923-1999) -
#858 - Robert Doisneau
Jacques Tati, Paris, 1949"Jacques is the most meticulous person I know. He spent 2 hours taking the old bicycle to pieces. He has the same patience with every kind of mechanism. A gag is just another piece of clockwork”
~ Robert Doisneau
(1912-1994)
“The images are designed so that after you see the picture 2 or 3 times, it’s no longer my film. It starts to be your film. You recognize the people, you know them and you don’t even know who directed the picture. “Play Time” is nobody.~ Jacques Tati
(1907-1982) -
#857 - Sarah Moon
For Bill Blass, 1993“In this world of illusion, moments are rare. For a moment to become reality it needs to have a “before” and an “after”, it needs to be related but forgotten in order to be found again”
~ Sarah Moon
“Simplicity is the soul of modern elegance”
~ Bill Blass -
#856 - Marc Riboud
Varanasi, India, 1956“For me photography is a passion, closer to an obsession. It is not an intellectual process. It is a visual one. While shooting, if we think too much we miss the birdie. A good photograph is a surprise. How could we plan a surprise? We just have to be ready.”
~ Marc Riboud
(1923-2016) -
#855 - John Simmons
Love Poem, Chicago, 1967"I was able to look through that camera and to see things that I loved. I loved my community. I love my people as I do now"
~ John Simmons -
“In 1963, Mrs Kennedy came to London for a visit with her sister, Princess Lee Radziwill, who lived there. I read the daily press bulletin from Buckingham Palace and saw they were expected for lunch with the Queen. I ran from outside Princess Radziwill’s home to Buckingham Palace and took this photograph as their limousine was about to turn into the gate. Recently when I showed the photograph to a close friend of Mrs Kennedy’s he immediately said, "That was taken before 1963", And when I asked how he knew, he replied simply, “Because Jackie never smiled that way again after 1963.”
~ Harry Benson“The children have been a wonderful gift to me and I’m thankful to have once again seen our world through their eyes. They restore my faith in the family’s future”
~ Jacqueline Kennedy -
#853 - Terry O'Neill
Elton John, Dodger Stadium, 1975“I don’t think I’ve ever seen anyone work so hard in my life, be so dedicated to putting on a show that the crowd would remember for the rest of their lives. It’s hard to forget an event like that, whether you were on the stage or off. It was a once-in-a-lifetime thing”
~Terry O’Neill
(1938-2019)“John’s Saturday and Sunday appearances were indeed akin to a World Series for rock music fans. Not only is singer-composer-pianist, John, the biggest star in pop music, but his weekend concerts marked the first time a rock act had played Dodger Stadium - the city’s most prestigious and best designed outdoor athletic facility - since the Beatles in 1966. The audience response predictably was tumultuous at times”
~ Robert Hilburn, Times Pop Music Critic, Los Angeles Times, Monday October 27, 1975 -
#851 - Robert Doisneau
Le Manege De Mr. Barre, 1955“I hate ugliness, it makes me physically ill. But melancholy and compassion, these may be minor values but they’re the ones that move me most of all.”
~Robert Doisneau
(1912-1994)
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#852 - Sarah Moon
Le Cinema, 1995“It could happen any day, anytime, any season. I am outside walking, wherever cars and people are whirling around. Fleeting thoughts vanishing through my mind, probably dealing with what I am out for, or supposed to be out for. But there is nothing I can grab, I am just there “in the turning world"
~Sarah Moon -
#850 - Wolfgang Suschitzky
Charing Cross Road from No. 84, (Marks & Co.), 1936I've never "arranged" my photographs, I've always been an observer."
~ Wolfgang Suschitzky
(1912-2016) -
#849 - Cig Harvey
Claire in the Forsythia, Rockport, Maine, 2010How to Force Blossoms
1. Acknowledge out loud your desperation for spring.
2. Find branches with plenty of buds on them.
3. Cut the stems at an angle.
4. Arrange in warm water.
5. Change the water daily.
6. Place in indirect sunlight all over the house.
7. Wait.
Warning — Forcing forsythia may cause a temporary aversion to violet, its opposite on the color spectrum.
~Cig Harvey
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#848 - Willy Ronis
Fondamente Nuove, Venice, 1959“The sun, which was already a little low created sharp silhouettes against the back light. I switched out the 28mm for the exact opposite, the 135 mm which would best form the image that I was hoping for and which I could already see in my head. Just as I hoped a little girl stepped on to the bridge. A single click”
~ Willy Ronis(1910-2009) -
#847 - Harry Benson
Beatles Composing, Paris, 1964“It seemed John and Paul could compose anywhere.They would wander over to the piano, sit down and start playing, taking no notice of what was going on around them. Here in their George V Hotel suite they were composing “I Feel Fine”. George and Ringo wandered over and started to join in. It was fascinating to watch how intense they were while creating a song"
~ Harry Benson -
#846 - Robert Doisneau
La Derniere Valse Du 14 Juillet, 1949"People like my photos because they see in them what they would see if they stopped rushing about and took the time to enjoy the city."
~ Robert Doisneau -
#845 - Edouard Boubat
Florence Sous La Neige, Paris, 1959"The wandering photographer sees the same show that everyone else sees. He, however, stops to watch it."
~ Edouard Boubat
(1923 - 1999) -
#844 - Harry Benson
Coretta Scott King & Family, 1968“On April 4, 1968 amidst rising racial tension, Martin Luther King Jr, was shot while the balcony of the Lorraine Motel in Memphis,Tennessee. America was shocked, stunned and again pitched into the nightmare of violent death and public agony, not five years after President John F Kennedy’s assassination in Dallas. I was nearby and flew to Memphis and then on to Atlanta to cover the funeral. Arriving in advance of the plane that was carrying the body of the slain civil rights leader, I moved out of the photographers’ allotted area on the tarmac for a moment and caught one frame of his widow, Coretta Scott King and their children as they prepared to step down from the plane. Crowds lined up outside the Ebenezer Baptist Church in Atlanta to quietly view the casket and pay tribute to the slain leader.”
~ Harry Benson
“Struggle is a never-ending process. Freedom is never really won, you earn it and win it in every generation”~ Coretta Scott King
(1927 - 2006) -
#843 - John Swannell
Marianne Lah Swannell in Laura Ashley, 1980 (Printed 2022)"Laura Ashley asked me to photograph some of her summer collection in the studio. I told her they need to be photographed in the countryside because her dresses were considered “romantic”. She said “Why don’t you come and stay at my house in Wales as I’m going on holiday” So Marianne Lah who was my girlfriend and I drove to Wales. We took no hair, make up or stylist. Just the two of us. The countryside around her house was spectacular. I just had to point the camera”
~ John Swannell“I don’t like ephemeral things. I just like things that last forever”
~ Laura Ashley
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#842 - Jeffrey Conley
Waterfall, Southern Alps, NZ, 2011, printed 2021“Nature is in constant change and photography is particularly well suited to capture and amplify the swirling fluidity and the wonderfully serendipitous moments born of the ephemeral. Photographing nature is a very specific kind of exercise in mindfulness”
~ Jeffrey Conley
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#836 - Georges Dambier
Sophie Litvak et le petit chien (Sophie with little dog), Paris, 1952“Darling, you are in love with my camera!”
~ Georges Dambier
(1925-2011) -
#835 - Harry Benson
The Who, 1980“I was aware that Pete Townshend might be difficult as he had a history of being impossible with the press. On the contrary, I found him to be very cooperative to the point of giving orders to everyone around him that I was to have complete access and could even go on stage during a performance”
~ Harry Benson -
#834 - Pentti Sammallahti
Helsinki, Finland, 2016“Everything inside the frame is equally important”
~ Pentti Sammallahti
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#833 - André Kertész
Kew Gardens, London, 1948“I am a lucky man. I can do something with almost anything I see. Everything is still interesting to me"
~ André Kertész
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#832 - Harry Benson
Jackie, 1968“Crowds of skiers were waiting to catch a glimpse of the elegant former First Lady who was on holiday with her children. You could tell it was her from a mile away, even in a ski mask with the signature sunglasses propped on her head. You could still see her eyes - those eyes like no others”
~ Harry Benson
(b. 1929) -
#831 - Jeffrey Conley
Lone Tree in Snow, 2007“For all of us, the Earth sustains our existence. In an otherwise in hospitable known universe, our little blue planet provides us with absolutely everything. I’ve never understood why our societal and spiritual priorities as a species do not overwhelmingly demonstrate our gratitude by placing our planet at the pinnacle of the reverential order”
~ Jeffrey Conley
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#830 - Harry Benson
Beatles pillow fight, Paris, 1964“It was 3.00am after a concert at the Olympia in Paris in January 1964. They had so much pent-up energy after a performance, and they really couldn’t go out because they would be mobbed. So we were sitting around talking and drinking. Their manager, Brian Epstein burst into their suite at the George V Hotel to tell them, “I Want To Hold Your Hand” was number one on the American charts, which meant they were going to America to be on The Ed Sullivan Show. That also meant I was going to America with them and I was pleased. America had always fascinated me. Ever since I was a boy in Glasgow watching James Cagney gang movies, I knew that was where I wanted to be.
They were excited about having a number -one hit in America. I had heard the Beatles talking about a pillow fight they had had a few nights before, so I suggested it. I thought it would make a good photo to celebrate. At first they said okay, but then John said, no, it would make them look silly, so that was that. Then John slipped up behind Paul and hit him over the head with a pillow, spilling his drink, and that started it."
~ Harry Benson -
#829 - John Simmons
His Head Is In The Clouds, Texas, 2022“A plane aims for the heavens but goes no higher while heaven continues upward, boundless like dreams, infinite like the horizon across the windows. A man with his head in the clouds dreams, free”
~ John Simmons
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#828 - Miho Kajioka
BK0061, 2014“I always had a strange feeling about how we order time into the past, present and future, as I never really felt that way."
~ Miho Kajioka
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#827 - John Swannell
Marianne Lah Swannell on the beach, 1983“On the day of this picture, I think we’d just had lunch and strolled down to the beach to have a swim. It was September but it was still vey warm. I was just snapping away and said, “I love this beautiful house, just please sit down here.” So Marianne sat down and I did a few pictures with my Pentax 67 which is actually pretty big for carrying on the beach, but I just have to have a camera with me all the time. It was a bit like a fashion shoot because I was directing her rather than just letting her do her thing.I think I even said, “Please put your hand up to your head and close your eyes. Head up a bit and just go into a dream world”. The scene was very posh and I wanted to get that across. I always say my wife belongs to the 1950’s”.
~ John Swannell
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#826 - Jürgen Schadeberg
Nelson Mandela in His Cell on Robben Island [Revisit], 1994“It is absolutely clear we need to recognize the universality of human rights, the indivisibility of human rights and we need to find a new energy that motivates young people around the world.”
~ Volker Tucker (UN High Commissioner for Human Rights)
“It is in your hands to make a better world for all who live in it”
~ Nelson Mandela
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#825 - Bruce Davidson
The Widow of Montmartre 1956“Across the narrow Rue Lepic from the Moulin de La Galette, up eight flights of stairs under the thin roof of a Montmartre studio garret lived an old widow. She was the wife of Leon Fauche, an impressionist painter who was a close friend of Gauguin, Toulouse-Lautrec and Renoir. Her husband died leaving her with a small military pension and 60 paintings. Montmartre changed but the widow stayed on. Each day she would go down to the streets crowded with tourists seeking the past and buy flowers to place under her husband’s self portrait. Then at twilight, as the weakening evening rays made a shadowy symbol of a long dead Paris through her studio window of the Moulin de la Galette, she was absorbed into darkness with her memories”
~ Esquire Magazine, October 1958
“All my photographs are portraits, self portraits because you can’t photograph someone without reflecting/echoing, like a bat sending out a signal that comes back to you. You get not only a picture of who you are photographing but you get a picture of yourself at the same time”
~ Bruce Davidson
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#824 - Jeffrey Conley
Merced River and Lower Brother, Yosemite National Park, 1992/Printed 2008“For as long as I can remember I have felt most at peace outdoors. Nature has always been my refuge and sanctuary. I find the natural world to be endlessly wondrous in it’s range of character and texture, from moments of delicate intimacy and subtlety to the massively expansive and powerful”
~Jeffrey Conley
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#823 - André Kertész
Pont Marie at Night, Paris, 1963“Everybody can look but they don’t necessarily see”
~ André Kertész (1894-1985)
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#822 - Bill Brandt
Francis Bacon on Primrose Hill, 1963“Only the photographer, himself or herself, knows the effects he or she wants. They should know by instinct, grounded in experience what subjects are enhanced by hard or soft light or by dark treatment”
~ Bill Brandt (1904 - 1983)
“I believe in deeply ordered chaos”
~ Francis Bacon, Painter (1909-1992)
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#821 - Dominique Tarlé
Lunch on terrace, Villa Nellcôte, 1971“I realized that pictures are far more important than the photographers themselves. For myself I could only say the whole of the game was to remain invisible and to have the least possible impact on what was going on around me”
~ Dominique Tarlé
“To me “Exile on Main Street" was probably the best Rolling Stones album as far as the connection between the band members. We were coming up with song ideas like crazy and the ideas were catching on. Everyone was going flat out”
~Keith Richards
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#820 - Willy Ronis
Le Petit Parisian, Paris, 1952“I had set up near a bakery at peak hour and after a few attempts, I was not sure I had the right image. Then I noticed a boy seriously counting his pennies while waiting for his turn and I explained to him what I needed from him. Exit the bakery in a hurry with the loaf held tilted under his left arm. The first attempt was too tense, the second was perfect. We went back into the bakery to eat a chocolate treat together"
~ Willy Ronis
“250 grams of magic and perfection in our daily lives. A French way of life. We had been fighting for years with bakers and the world of gastronomy for its recognition. The baguette is now a Unesco intangible heritage.”
~ Emmanuel Macron (President of France) -
#819 - Louis Stettner
Windshield, Saratoga Springs, New York, 1957 (Printed 1981)“My way of life, my very being is based on images capable of engraving themselves indelibly in our inner soul’s eye.”
~ Louis Stettner (1922 -2016) -
#818 - Noell Oszvald
Untitled #9, 2013"I see my pictures like pages of a coloring book in which content is stripped to the bare essence."
~ Noell Oszvald -
#817 - Sabine Weiss
Paris, 1950, printed later“Light, gesture, gaze, movement, silence, tension, rest, rigor, relaxation. I would like to incorporate everything in this instant, to express the essence of humanity with the minimum of means”
~ Sabine Weiss
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#816 - Jed Devine
Pear & Colander, circa 1970“Form an extended sequence that moves from innocence to decay and return.”
~ Jed Devine
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#815 - Miho Kajioka
BK0006, 2000“The world has been always made of many different layers – even before the disaster. And there have been always problems, and beautiful things have always remained beautiful…”
~ Miho Kajioka -
#814 - Manuel Alvarez Bravo
La Hija de los Danzantes [The Daughter of the Dancers], 1933“I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes - instinct is the same as inspiration, and eventually it comes.”
~ Manuel Alvarez Bravo (Mexico, b. 1902-2002)
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#813 - Laszlo Layton
Lesser Prairie Chicken, 2004“I remember how I loved to walk through the fair as a little kid and look at all these rare birds that I knew I would never see alive. Years and years had passed since I thought about those birds, and I really wanted to photograph them.”
~ Laszlo Layton -
#812 - Daido Moriyama
Tomei Expressway, 1969"For me photographs are taken in the eye before you've even thought what they mean. That's the reality I'm interested in capturing"
~ Daido Moriyama -
#811 - René Groebli
Various #307, 1946"He is a magician with the camera, the camera being his magic eye."
~David Blochwitz
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#810 - John Szarkowski
Farm Near Caledonia, Minnesota, 1957/Printed 2007"It isn't what a picture is of, it is what it is about."
~ John Szarkowski
(1925-2007) -
#809 - Don Hunstein
Billie Holiday, New York City, December 1957“People don’t understand the kind of fight it takes to record what you want to record the way you want to record it”
~ Billie Holiday“I was merely a living witness. What does any good journalist do? Record what’s going on, observe the artist and their expressions, then leap in. You’ve got to react to something that’s happening or anticipate that it’s about to happen.”
~ Don Hunstein
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#808 - André Kertész
Elizabeth, Paris, 1931“My work is inspired by my life. I express myself through my photographs. Everything that surrounds me provokes my feelings"
~ André Kertész (1895-1985)
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#807 - Flor Garduño
La Mujer Que Sueña, Pinotepa Nacional, México, 1991"The models are friends of mine: these photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done."
~ Flor Garduño