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Scroll down below to explore the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for over three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #971 - Thurston Hopkins

    End of a Coming Out Party, Highgate, London, 1954
    #971 - Thurston Hopkins

    “I can’t recall anyone at Picture Post Magazine mentioning the ethics of photo journalism. It was just understood, a code of behavior which reflected the seriousness of the magazine”

    ~ Thurston Hopkins

    (1913-2014)

     

    “This Royal Throne of Kings, this sceptered isle,
    This earth of majesty this seat of Mars,
    This other Eden, demi paradise
    This fortress built by Nature for herself
    Against infection and the hand of war
    This happy breed of men, this little world
    This precious stone set in a silver sea
    Which serves it in the office of a wall
    Or as a moat defensive to a house
    Against the envy of less happier lands
    This blessed plot, this earth
    This realm, This England”


    ~ William Shakespeare
    (Richard II)

  • #970 - Elliott Erwitt

    Douglas, Wyoming. 1954
    #970 - Elliott Erwitt

    “To me photography is an art of observation. It’s about finding something interesting in an ordinary place. I’ve found it has little to do with the things you see and everything to do with the way you see them"

     

    ~ Elliott Erwitt

  • #969 - André Kertész

    Stairs at Montmartre, Paris, 1926
    #969 - André Kertész

    “The moment always dictates in my work. Everybody can look, but they don’t necessarily see. I see a situation and I know that it’s right”


    ~ André Kertész
    (1894-1985)

  • #968 - William Helburn

    Dovima under the El, 1956
    #968 - William Helburn

    "It’s up to us, as mothers and mother-figures, to give the girls in our lives the kind of support that keeps their flame lit and lifts up their voices — not necessarily with our own words, but by letting them find the words themselves.”


    ~ Michelle Obama
    (Former First Lady of the United States)

  • #967 - André Kertész

    Puddle, Empire State Building 1967
    #967 - André Kertész

    “I photographed real life - not the way it was, but the way I felt it. That is the most important thing, not analyzing but feeling”

     

    ~ André Kertész
    (1894-1985)

  • #966 - Elliott Erwitt

    Paris, 1957
    #966 - Elliott Erwitt
    “Be sure to take the lens cap off before photographing”

    ~ Elliott Erwitt
  • #965 - Steve McCurry

    Men Playing Chess, India, 1996 (Printed 2020)
    #965 - Steve McCurry

    "I’m interested primarily in people, and human behavior – how people relate to each other and their environment."

     

    ~ Steve McCurry

  • #964 - Doris Ulmann

    Paul Robeson, c. 1920's
    #964 - Doris Ulmann

    "My best pictures are always taken when I succeed in establishing a bond of sympathy with my sitter"

    ~ Doris Ulmann
    (1882 - 1934)


    "Artists are the gate keepers of truth. We are civilization’s radical voice”

    ~ Paul Robeson
    (1898 -1976)


    “The pursuit of Justice is all I have ever known”

    ~ Harry Belafonte
    (1927 - 2023)

  • #963 - Jeffrey Conley

    Figure in Vast Landscape, Iceland, 2018 (Printed 2023)
    #963 - Jeffrey Conley

    "I think of being out in the landscape as a time to harvest observations - then in the darkroom is the time where the observation finds its voice, its landing space in its physical manifestation as a platinum/ palladium print."

     

    ~ Jeffrey Conley

  • #962 - Willy Ronis | Mother's Day

    Le Nu Provençal, Gordes, 1949
    #962 - Willy Ronis | Mother's Day

    "Mothers hold their children's hands for a short while, but their hearts forever."

     

    ~ Unknown

  • #961 - Henri Cartier-Bresson

    Ile de la Cite, Paris, 1952, printed later
    #961 - Henri Cartier-Bresson

    “A photograph is neither taken or seized by force. It offers itself up. It is the photo that takes you. One must not take photos”


    ~ Henri Cartier-Bresson

  • #960 - Bert Hardy

    Millions Like Her, Betty Burden, A Shop Girl, Birmingham, 1951/Printed Later
    #960 - Bert Hardy

    “The ideal picture tells something of the essence of life. It sums up emotion, it holds the feeling of movement thereby implying the continuity of life. It shows some aspect of humanity, the way that the person who looks at the picture will at once recognize as startlingly true”

     

    ~ Bert Hardy

  • #959 - Arthur Elgort

    Nadja Auermann in Ireland, Vogue, 1993
    #959 - Arthur Elgort

    “A good editor, a good stylist and a good model are what makes a good fashion photograph. That and having a good rapport with your subject. If they are comfortable with you they’ll be comfortable in front of your camera”


    ~ Arthur Elgort

     

    “Being the muse of the photographer is what I like about this profession”

     

    ~ Nadja Auermann

  • #958 - Ralph Gibson

    Untitled, 1986
    #958 - Ralph Gibson

    "First you study photography, then you practice photography, then you serve photography, and finally one becomes photography."

    ~ Ralph Gibson

  • #957 - Steve McCurry

    Camels in Dust Storm, Jaisaimer, India, 2010
    #957 - Steve McCurry

    "A picture can express a universal humanism, or simply reveal a delicate and poignant truth by exposing a slice of life that might otherwise pass unnoticed."


    ~ Steve McCurry

  • #956 - Bernard Plossu

    Marseille, 1975
    #956 - Bernard Plossu

    “My camera is like the arrow. Do I reach the target or does the target reach me or is it the same thing? It’s all very emotional.”


    ~ Bernard Plossu

  • #955 - Brett Weston

    Trees, Fog, Pebble Beach, CA, 1975 (Printed 1970's)
    #955 - Brett Weston

    "It's surely our responsibility to do everything within our power to create a planet that provides a home not just for us, but for all life on Earth."


    ~ Sir David Attenborough

  • #944 - Berenice Abbott | Graduation 2023

    Frank Lloyd Wright, 1954 / Printed Later
    #944 - Berenice Abbott | Graduation 2023

    “We create our buildings and then they create us. Likewise, we construct our circle of friends and our communities and then they construct us.”


    ~ Frank Lloyd Wright

  • #953 - Ruth Bernhard

    Spanish Dancer, 1971
    #953 - Ruth Bernhard

    “I try to be aware of light at all times. I’m always watching for it. I am not looking at light because I am a photographer. I am a photographer because I am deeply involved with light”

    ~ Ruth Bernhard

    “I believe in and make no apologies for photography. It is the most important graphic medium of our time. It does not have to be -indeed cannot be compared to painting. It has different means and aims”

    ~ Edward Weston

  • #952 - Jeffrey Conley

    Sierra Crest and Moon, from White Mountains, CA 2019
    #952 - Jeffrey Conley

    "I can’t stress enough how important observation is as the foundational component of being a photographer. It is all about noticing things; light, texture, form, the confluence of these elements within infinite combinations. Essentially my passion for landscape photography came through being a person who is a certain type of observant as well as someone who has always felt at peace and tremendously as ease out in nature."


    ~ Jeffrey Conley

  • #951 - George Zimbel

    Woman at The Bar, Bourbon Street, New Orleans , 1955 (printed 2008)
    #951 - George Zimbel

    “My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course information. It is the information that grabs the viewer but it is the photographers’s art that holds them."


    ~ George Zimbel

  • #950 - George Zimbel

    Irish Dancehall, The Bronx, 1954 (printed 2006)
    #950 - George Zimbel

    “I am a visually upbeat person. I see things that are “up” and it gets me interested"


    ~ George Zimbel

  • #949 - London Events

    Photo London & The Eye of the Collector
    #949 - London Events

    “There’s nowhere else like London. Nothing at all, anywhere.”

    ~ Dame Vivienne Westwood
    (1941–2022)

  • #948 - Barry Lategan - Back to the 60s

    Twiggy, 1966, printed later
    #948 - Barry Lategan - Back to the 60s

    “I grew up not wanting to grow up. Growing up seemed terrible. To me it was awful. Children were free and sane and grown ups were hideous”


    ~ Mary Quant
    (1930-2023)

    “It is given to a fortunate few to be born at the right time, in the right place with the right talents. In recent fashion there are three. Chanel, Dior and Mary Quant”


    ~ Ernestine Carter

    “At 16 I was a funny, skinny little thing, all eyelashes and legs. And then suddenly people told me I was gorgeous. I thought they had gone mad”


    ~ Twiggy

  • #947 - Cig Harvey at Photo London

    Coming soon at Photo London
    #947 - Cig Harvey at Photo London

    "My love of photography is deep. I'm in it forever..”

    ~ Cig Harvey

  • #947 - Yousuf Karsh

    Albert Einstein, 1948, printed later
    #947 - Yousuf Karsh

    “At Princeton’s Institute for Advanced Study, I found Einstein, a simple, kindly almost childlike man, too great for any of the posturing of eminence. One did not have to understand his science to feel the power of his mind or the force of his personality. He spoke sadly, yet sincerely as one who had looked into the universe, far past mankind’s small affairs. When I asked him what the world would be like were another atomic bomb to be dropped, he replied wearily “Alas we will no longer be able to hear the music of Mozart”.

    ~ Yousuf Karsh

     

    “Learn from yesterday, live for today, hope for tomorrow. The important thing is not to stop questioning”


    ~ Albert Einstein

  • #946 - Robert Whitaker

    John with Flower, Weybridge, May 1965
    #946 - Robert Whitaker

    “There were about 100 people who ran the 1960’s in England and I was fortunate enough to meet, work with and/or photograph virtually all of them”


    ~ Robert Whitaker


    “Love is the flower you’ve got to let grow”

    ~ John Lennon

  • #945 - Edouard Boubat

    Tuscany, Italy, 1956/Printed Later
    #945 - Edouard Boubat

    "Mother's love, that divine gift which comforts, purifies, and strengthens all who seek it."


    ~ Louisa May Alcott

  • #944 - Max Yavno

    Powell Street, San Francisco, 1947/ Printed Later
    #944 - Max Yavno

    “But oh, San Francisco! It is and has everything. The wonderful sunlight there, the hills, the great bridges, the Pacific at your shoes. Beautiful Chinatown .. Every race in the world. The sardine fleets sailing out. The little cable cars whizzing down the city hills”


    ~ Dylan Thomas
    (Poet, Writer)
    1914 - 1953

  • #943 - Noell Oszvald

    Untitled #12, 2013
    #943 - Noell Oszvald

    "It’s difficult to get there, but once you manage to find your own voice it gets somewhat easier, because you know what you want to see in your images."

     

    ~ Noell Oszvald

  • #942 - Ernesto Esquer

    Five Gulls, a Wave, and a Cloud, Treasure Island, Florida, 2015
    #942 - Ernesto Esquer

    "I see these hand treated palm sized prints as a continuation of not only that adoration, but as a collection of moments. Moments that one may overlook but I want to make them feel big and significant. And things, physical or otherwise, do not have to be vast or demonstrative to have great meaning and relevance."

     

    -Ernesto Esquer

  • #941 - Lee Friedlander

    New York City (Shadow), 1966
    #941 - Lee Friedlander

    “The world makes up my pictures not me"


    ~ Lee Friedlander

    “In the past decade a new generation of photographers has directed the documentary approach towards more personal ends. Their aim has been not to reform life, but to know it. Their work betrays a sympathy - a trust, an affection - for the imperfections and frailties of society. They like the real world in spite of it’s terrors as the source of all wonder and fascination and value-no less precious for being irrational ."


    ~ John Szarkowski

  • #940 - Bernard Plossu

    La Maison de Monet, Giverny, 2011
    #940 - Bernard Plossu

    “I am possessed by Photography”


    ~ Bernard Plossu

  • #939 - Fred Lyon

    Richard Diebenkorn in Studio, Berkeley, 1958
    #939 - Fred Lyon

    “Richard Diebenkorn’s fame as a painter continues to grow. Here he’s in his Oakland studio, but I first knew him in Sausalito, where a group of artists would sit around with a jug of Gallo’s Heavy Burgundy and moan about how badly they were treated. Diebenkorn, always the lanky kid in the corner of that group, never joined in on the complaining. A burning cigarette was his constant companion in almost every shot I ever made of him”


    ~ Fred Lyon

    “I don’t go into the studio with the idea of “saying” something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue”

    ~ Richard Diebenkorn

  • #938 - Joel Bernstein

    Neil Young passing an old woman NYC, 1970
    #938 - Joel Bernstein

    “I saw the small old woman coming towards us down the sidewalk. I was intrigued and wanted to catch her passing Neil. The mistake to me was that I had in my haste focused the lens just past the two figures closer to the fence than to Neil’s face.That was the original reason why I made a small sized print and solarized it to help with the apparent sharpness.. But the solarization in this case added a somewhat spooky dimension to the image, which Neil took to immediately”


    ~ Joel Bernstein

    “When you’re young, you don’t have any experience-you are charged up but you’re out of control. And if you’re old and you’re not charged up, then all you have are memories. But if you’re charged and stimulated by what’s going on around you and you also have experience, you know what to appreciate and what to pass by”


    ~ Neil Young

  • #937 - Ruth Bernhard

    Folding, 1962
    #937 - Ruth Bernhard

    “Men photograph a female nude as if she belonged to them. I photograph a woman as part of the universe”

     

    ~ Ruth Bernhard

  • #936 - Bernard Plossu

    Saint Pierreville, Ardeche, 2012
    #936 - Bernard Plossu

    “In photography, we don’t capture time, we evoke it. It flows like fine sand, endless. We don’t take a photograph, we “see” it, then we share it with others. I practice photography to be on one level with the world and what is happening”

     

    ~ Bernard Plossu

  • #935 - Ruth Bernhard

    Eighth Street Movie Theater, New York [Frederick Kiesler, Architect], 1946
    #935 - Ruth Bernhard

    “I never question what to do. It tells me what to do. The photographs make themselves with my help”

     

    ~ Ruth Bernhard
    (1905-2006)

  • #934 - Fred Lyon

    After Hours Jazz Session, Monterey JazzFest, Cannery Row, 1958 (Printed Later)
    #934 - Fred Lyon

    I think this is one of the most expressive jazz images I've ever made. Of course, I didn't make it, I just captured it.

     

    ~ Fred Lyon
    (1924-2022)

  • #933 - Yousuf Karsh

    Georgia O'Keeffe, 1956 (Printed Later)
    #933 - Yousuf Karsh

    “I decided to photograph her as another friend had described her
    “Georgia, her pure profile calm, clearer sleek black hair drawn swiftly back into a tight knot at the nape of her necktie strong white hands, touching and lifting everything, even the boiled eggs, as if they were living things-sensitive slow moving hands, coming out of the black and white, always this black and white".

     

    ~ Yousuf Karsh
    (1908-2002)


    “It’s not enough to be nice in life. You’ve got to have nerve. To create one’s world in any of the arts takes courage.”

     

    ~ Georgia O’Keefe
    (1887-1986)

  • #932 - Michael Kenna

    Kurosawa's Trees, Study 1, Memanbetsu, Hokkaido, Japan, 2004
    #932 - Michael Kenna

    "I would strongly encourage anybody embarking in photography as a career to embrace and enjoy the whole process. Being a photographer can be a wonderful way to experience the world."

     

    ~ Michael Kenna

  • #931 - Pentti Sammallahti

    Fabiansgatan, 2001
    #931 - Pentti Sammallahti

    “You don’t take a photo, the photo gives itself to you”

     

    ~ Pentti Sammallahti

  • #930 - Don Hong-Oai

    Spring on the River Li, Guilin, 1990
    #930 - Don Hong-Oai

    “The mark of a successful individual is one that has spent an entire day on the bank of a river without feeling guilty about it.”

     

    ~ Chinese Proverb

  • #929 - Harry Callahan

    Eleanor, Chicago (backside), 1948/Printed Later
    #929 - Harry Callahan

    “A picture is like a prayer”

     

    ~ Harry Callahan
    (1912-1999)

  • #928 - Bill Brandt

    Nude with Elbow, 1952 (Printed in the 70's.)
    #928 - Bill Brandt

    "One day in a second-hand shop near Covent Garden, I found a 70 year old wooden Kodak. I was delighted. Like nineteenth-century cameras it had no shutter, and the wide-angle lens, with an aperture as minute as a pin-hole, was focused on infinity. In 1926, Edward Weston wrote in his diary “The camera sees more than the eyes, so why not make use of it”. My new camera saw more and saw it differently. It created a great illusion of space, an unrealistically steep perspective and it distorted. When I began to photograph nudes, I let myself be guided by this camera and instead of photographing what I saw, I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed."

    ~ Bill Brandt
    (1904-1983)

  • #927 - Jay Maisel

    Thanksgiving Day Parade, balloons, man with eye patch, New York, Mid 1950's
    #927 - Jay Maisel

    “Always carry a camera, it's tough to shoot a picture without one”


    ~ Jay Maisel

  • #926 - Harry Callahan

    Chicago (Trees at Lake Shore), 1950
    #926 - Harry Callahan

    “It’s the subject matter that counts. I’m interested in revealing the subject in a new way to intensify it. A photo is able to capture a moment that people can’t always see”

     

    ~ Harry Callahan

  • #925 - Yousuf Karsh

    Pablo Picasso, 1954 / Printed Later
    #925 - Yousuf Karsh

    “The maestro’s villa was a photographer’s nightmare, with his boisterous children bicycling through vast rooms already crowded with canvases. I eagerly accepted Picasso’s alternate suggestion to meet later in Vallauris at his ceramics gallery. “He will never be here” the gallery owner commented, when my assistant and two hundred pounds of equipment arrived. “He says the same thing to every photographer”. To everyone’s amazement the “old lion” not only kept his appointment with me but was prompt and wore a new shirt. He could partially view himself in my large format lens and intuitively moved to complete the composition”

     

    ~ Yousuf Karsh
    (1908-2002)

    “For those who know how to read, I have painted my autobiography”


    ~ Pablo Picasso
    (1881-1973)

  • #924 - Dorothy Bohm (1924-2023)
    “I have spent my lifetime taking photographs. The photograph fulfills my deep need to stop things from disappearing. It makes transience less painful and retains some of the special magic which I have looked for and found. I have tried to create order out of chaos, to find stability in flux and beauty in the most unlikely places”

    ~ Dorothy Bohm
  • #922 - George Zimbel

    The Bridesmaid, Philadelphia, 1953
    #922 - George Zimbel

    “My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course, information. It is the information that gets the viewer, but it is the photographer’s art that holds them."


    ~ George Zimbel

  • #923 - Ernesto Esquer

    Cactus Bloom, Tucson, Arizona, 2014
    #923 - Ernesto Esquer
    “The Sonoran Desert bloom is a magical time for us in this area. Thanks to the winter rains, brown and arid is replaced with a magnificent array of colors, with flowers popping up seemingly overnight. Cactus flowers in particular are the greatest gift. After hibernating and saving up their energy during the cold months, the mother cactus plant releases a display of hues and tones that one would think come from another world. This hand colored print serves as tribute to all the colors of prickly pear cactus you see around the desert during this blooming period.”
  • #921 - Neil Leifer

    President JFK and Vice-President Lyndon Johnson at Baseball Opener, ed. #25/150, 1961
    #921 - Neil Leifer

    “You can’t get away from the element of luck in sports photography, but what makes a great sports photographer is that when we get lucky we don’t miss it”

     

    ~Neil Leifer

  • #916 - Harry Callahan

    Wabash Avenue, Chicago, 1958
    #916 - Harry Callahan

    “Photography is an adventure just as life is an adventure. If a man or a woman wishes to express themselves photographically, they must understand surely to a certain extent, their relationship to life. I am interested in relating the problems that affect me to some set of values that I am trying to discover and establish as being my life. I want to discover them through photography”

    ~ Harry Callahan

  • #920 - Eve Arnold

    Gala opening, Metropolitan opera, New York, 1950- printed later
    #920 - Eve Arnold

    “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”

     

    ~ Eve Arnold

  • #919 - Don Worth

    Water Drops, San Francisco, 1960 (Printed 2005)
    #919 - Don Worth

    “I am very fond of this image and it has qualities of the mystical and the universal with connotations of both the astronomical and also the molecular which I find satisfying. The scale is very ambiguous to most viewers and I enjoy presenting that kind of puzzle as it leaves space for many more different kinds of interpretations."

     

    ~ Don Worth

  • #918 - Harry Callahan

    Eleanor and Barbara, Chicago, 1954
    #918 - Harry Callahan

    “If you choose your subject selectively, intuitively, the camera can write poetry.”

     

    ~ Harry Callahan

     

  • #917 - Edouard Boubat

    Paris, 1948
    #917 - Edouard Boubat

    “The eternal is a moment that breathes and contains life, the span of one breath”


    ~ Edouard Boubat

  • #915 - Horst P. Horst

    White Sleeve (Doris Zelensky), Paris, 1936 (Printed Later)
    #915 - Horst P. Horst

    “Horst takes the inert clay of human flesh and models it into the decorative shapes of his own devising. Every gesture of his models is planned, every line controlled and coordinated to the whole of the picture. Some gestures look natural and careless because they are carefully rehearsed. The others, like Voltaire’s god were invented by the artist because they did not exist”


    ~ Mehemed Agha
    (1929-1978)
    Art Director - American Vogue

  • #914 - Grace Robertson

    On the Caterpillar, Women's Pub Outing, Clapham, England, 1956
    #914 - Grace Robertson

    “There is no limit to what we, as women, can accomplish.”

    ~ Michelle Obama

  • #913 - Heinrich Kühn

    Mary in a White Dress, 1907
    #913 - Heinrich Kühn

    “Photography is a potential depiction expressed in seamlessly merging tonal values and brought about or conveyed by the effects of light”


    ~ Heinrich Kuhn

  • #912 - Judy Dater

    Imogen Cunningham & Twinka at Yosemite, California, 1974
    #912 - Judy Dater

    “The older I get the one thing I can trust in myself more than anything else is the way I feel about something. When I photograph, I try to be as aware of my feelings as I can be to somehow try and get them out of me and onto the film in terms of the way I am responding or seeing the world”


    ~ Judy Dater

  • #911 - Harry Callahan

    Eleanor, Chicago, 1948
    #911 - Harry Callahan

    “Eleanor was innocent and I was innocent.
    I just try to photograph what I like. I thought she was beautiful. I intuitively photographed her. All my photography is innocent”


    ~ Harry Callahan

  • #909 - Horst P. Horst

    Male Nude II (Backside), N.Y., 1952
    #909 - Horst P. Horst

    “Both Huene and I had this extraordinary feeling about Greece. The physical beauty of the men and women, the sun and the fresh air and the sea”


    ~ Horst P. Horst

  • #908 - Herman leonard

    Dexter Gordon, Royal Roost, New York City, 1948
    #908 - Herman leonard

    “Today people talk a lot about “reading” a photograph. That means getting it, understanding what it’s all about. But man, when it comes to Herman Leonard, I think a better word is “listen”. You need to “listen” to Herman's pictures. They are full of music and you can hear it”


    ~ Quincy Jones
    (Quoted in the book “Listen: Herman Leonard and his World of Jazz”- 21st Editions)

  • #907 - Charles Scowen

    The Lake Kandy, Sri Lanka 1880
    #907 - Charles Scowen

    “I haven’t been everywhere, but it’s on my list.”

     

    ~ Susan Sontag

  • #905 - Michael Kenna

    Caress in Stone, Dorset, England, 1990
    #905 - Michael Kenna

    “I am in agreement with John Szarkowski. A photograph is both a window and a mirror. We look through the window and see, connect and collaborate with the subject matter in front of us. We also use this same external reality as a mirror which reflects our individual proclivities, genetics, experiences, thoughts and desires.”

     

    ~ Michael Kenna

  • #906 - Horst P. Horst

    Round the Clock, N.Y., 1987
    #906 - Horst P. Horst

    “He put a little bit of himself into every picture. He was humble, very quiet, very kind. It was as if he didn’t understand or couldn’t connect to the fact that he held a major place in fashion history and photographic history”

     

    ~ Carol Alt
    (Model)

  • #904 - Horst P. Horst

    Nina de Voogh, N.Y., 1951 (Printed Later)
    #904 - Horst P. Horst

    “For some people the word “elegance” has acquired objectionable, snobbish connotations. But I myself prefer to regard elegance as an attractive and admirable - if admittedly rare - human attribute: a form of physical and mental grace that has nothing to do with pretension or over refinement or an excess of money to spend. Unlike Huene, who had absorbed an infallible sense of elegance from his upbringing, I had to invent it on my own: more exactly, to learn gradually to recognize elegance in others and try to portray it in my photographs.”


    ~ Horst P Horst

  • #903 - Edouard Boubat

    Les Tournesols, Ile de France, 1988
    #903 - Edouard Boubat

    “There is something instinctive about the moment you choose to “take” a photograph. It’s not the result of thought or reflection.The strength of the composition is always born of the instinct of the decision. It reminds me of archery. There is the tension of the bow and the free flight of the arrow”

    ~ Edouard Boubat
    (1923 - 1999)

  • #902 - Robert Doisneau

    L' aéroplane de Papa, 1934
    #902 - Robert Doisneau

    “If I knew how to take a good photograph, I’d do it every time”

    ~ Robert Doisneau
    1912-1994

  • #901 - Louis Stettner

    The Family ("Manege") 14th Arrondissement, Paris, c. 1950-51
    #901 - Louis Stettner

    “I always felt the difference between New York and Paris is that Paris nourishes you by the fact that it is very beautiful.You see living history all around you. The whole flavor of the place is one of harmony and beauty. It raises the human spirit"

     

    ~ Louis Stettner

  • #900 - Willy Ronis

    La Ciotat, 1947
    #900 - Willy Ronis

    “Most of my photographs were taken in the spur of the moment, very quickly, just as they occurred. All attention focuses on the specific instant, almost too good to be true, which can only vanish in the following one”

     

    ~ Willy Ronis

  • #899 - Robert Doisneau

    Le Baiser Blotto, 1950/Printed Later
    #899 - Robert Doisneau

    “There are days when the technique of an aimless stroll or destination works like a charm, flushing out pictures from the non stop urban spectacle"

     

    ~ Robert Doisneau

  • #898 - Brett Weston

    Trees, Point Lobos, CA, 1960 (Vintage)
    #898 - Brett Weston

    “The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.”

     

    ~ Brett Weston
    (1911-1993)

  • #897 - John Simmons

    Archie Shepp Nashville, TN, 1971
    #897 - John Simmons

    “Today music is visual”


    ~ Archie Shepp

  • #896 - Henry Gilpin

    Oak Tree, California, 1975
    #896 - Henry Gilpin

    “Give me the splendid silent sun, with all his beams full-dazzling”


    ~ Walt Whitman
    (1819-1892)

  • #895 - Noell Oszvald

    Untitled #5, 2014
    #895 - Noell Oszvald

    "When you're observant, inspiration can show up in the most unusual places, triggering a new idea to appear.”

    ~ Noell Oszvald

  • #894 - Louis Stettner

    Soldier on Leave, 1951
    #894 - Louis Stettner

    “New York is a city I love, a city that forgives nothing but accepts everyone - a place of a thousand varied moods and visions, of countless faces in a moving crowd, each one silently talking to you”

     

    ~ Louis Stettner

  • #893 - Louis Stettner

    Concentric Circles, NYC, 1957
    #893 - Louis Stettner

    “Brassai showed me that it was possible to find something significant in photographing subjects in everyday life doing ordinary things by interpreting them in your own way and with your own personal vision"

     

    ~ Louis Stettner

  • #892 - Sarah Moon

    Yves Saint Laurent for Dior, 2022
    #892 - Sarah Moon

    "Everything I know, see or hear, every part of my life is transformed into dresses."

    ~ Christian Dior

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