Support HER: Peter Fetterman Gallery Fundraiser for Kamala Harris

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Janna Ireland was born in Philadelphia, but has chosen Los Angeles as her home. She holds an MFA from the UCLA Department of Art and a BFA from the Department of Photography and Imaging at NYU. Her work has been shown in solo and group exhibitions across the United States and internationally, and is held in the collections of institutions including the Los Angeles County Museum of Art, the California African American Museum, and the Santa Barbara Museum of Art. Her photographs have appeared in numerous publications, including Aperture, The New Yorker, Harper’s, the Los Angeles Times, and The New York Times Magazine.

Ireland often uses herself and her family in her personal and editorial work. In recent years, her practice has expanded to include architectural photography. In 2016, she began photographing structures designed by legendary Black architect Paul R. Williams. A collection of 250 of these photographs was published in a monograph entitled Regarding Paul R. Williams: A Photographer’s View, in 2020. Regarding Paul R. Williams was shortlisted for the 2020 Paris Photo–Aperture Foundation First PhotoBook award. In 2021, Ireland was awarded a Peter E. Pool Research Fellowship by the Nevada Museum of Art to photograph Williams’ work in Nevada.

Ireland is an assistant professor in the Department of Art and Art History at Occidental College.

16 x 20" print, matted 20 x 24"

Archival Pigment Print

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Judy Glickman Lauder is an internationally recognized photographer, humanitarian and philanthropist. Her work is held in private collections and public institutions around the world, including the J. Paul Getty Museum, Los Angeles; Whitney Museum of American Art, New York; Metropolitan Museum of Art, New York; and the United States Holocaust Museum, Washington, DC. She is represented by the Howard Greenberg Gallery in New York City.Ms. Glickman Lauder’s most recentbook titled Presence: The Photography Collection of Judy GlickmanLauder (2022)was published by Aperture in partnership with the Portland Museum of Art, Maine. This book accompanies atravelingexhibition drawn from the Judy Glickman Lauder Collection at the Portland Museum of Art, to which her collection has been gifted. Presence celebrates photography’s ability to capture the human experience and showcases the imagery of beloved and influential photographers of the twentieth century. A number of her own photographs were published by Aperture in a book titled Beyond the Shadows: The Holocaust and the Danish Exception(2018). These photographs werethe subject of two traveling exhibitions, Holocaust: The Presence of the Pastand Resistance and Rescue: Denmark’s Response to the Holocaust, which have been shown at more than two hundred institutions around the world. Other books include Upon Reflection: Photographs by Judy Ellis Glickman (2012)and Both Sides of the Camera: Photographs from the Collection of Judith Ellis Glickman (2007), as well as a book on the work of her father, For the Love of It: The Photography of Irving Bennett Ellis (2008).Ms. Glickman Lauder serves on the Board of Trustees of the Portland Museum of Art and is a member of both the Getty Museum Photographic Council and the Photographic Visiting Committee of the Metropolitan Museum of Art. In addition, she is a Fellow of the Royal Photographic Society of Great Britain

16 x 20" print, matted 20 x 24"

Archival Pigment Print

Edition of 10 

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Brigitte Carnochan is a Photographer. She studied English at San Jose State University, followed by an MA at Stanford in Education and a PhD on English at the University of California, Berkeley. She has produced a wide range of photographic works since the late 1990s starting with investigation of the classic genres of flowers and nudes. Her photographs frequently combining elements of painting that suffuse them with a semi-spiritual light.

16 x 20" print, matted 20 x 24"

Archival Pigment Print

Edition of 10

Nikki Kahn, is a photographer and documentary filmmaker based in Washington, D.C.. Born in Georgetown, Guyana, Nikki moved to Washington, D.C where she obtained a Bachelor of Arts degree from American University with a double major in Visual Media and Art History in May 1996. She later attended Syracuse University and completed a Masters of Science degree in Photography in May 2004. 

Nikki joined the staff at The Washington Post in January 2005, following a photographer/editor position at Knight-Ridder Tribune Photo Service in Washington, D.C. She has also worked as a staff photographer at the Indianapolis Star and as an intern at the Anchorage Daily News in Alaska; the News Journal in Wilmington, Del., and the Washington Times. 

Nikki shared the Pulitzer Prize for Breaking News Photography with her Washington Post colleagues for their series "Haiti's Profound Sorrow," featuring portraits of grief and desperation after the 2010 earthquake in Haiti. 

Nikki's visual reporting spans the globe - Afghanistan, Haiti, Tunisia, India, Egypt, and Guyana to name just a few. Her images capture the faces and places engulfed in the headlines as well as the little known people and communities that do not often make the front pages. It's that commitment to telling the stories of those not so known places that make her work notable. Stories like those of young men and women confronting AIDS in Guyana, a series she completed in 2004 as part of her Masters thesis at Syracuse University. 

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Edition of 10

A visual artist in different domains for over twenty-five years, Soren has long explored the intersection of psychology, culture, politics, and the body. Her mediated images examine the vulnerabilities we all carry and provide the outline for a narrative still endlessly unfolding. Whether capturing solitary individuals running through empty streets, harnessing the sublime power of the natural world, or obscuring violent scenes with a dense application of ink and resin, Soren calls forth the underlying and pervasive energy that propels a twist of fate, upends a story, and challenges a belief. She never lets the viewer forget that there is something looming just outside of the frame- maybe a threat, a dashed hope, an unfair assumption, or an impending change in fortune- that deserves respect and consideration.  

Though a palpable sense of pathos connects all her images, Soren begins each new series using the methodical investigative tools she used during her time in journalism. Books, research studies, and statistics lay a necessary analytical foundation for the visual ideas she communicates. These data points then merge with her experiences growing up in a military family, spending her youth moving around the world and adjusting to the cultural differences, social structures, and visual cues that came with each relocation. This constant navigation of environments hinged on threat and survival led to a true understanding of what it means to always live on high alert, giving Soren a level of empathy for internal struggle and a sincere desire to show the myriad ways we reveal ourselves as we move through the world.

 Soren was born in 1967 in San Antonio, Texas and lived in 7 U.S. states, Germany and the Philippines during her formative and adolescent years.  She received her degree in 1989 from New York University and was awarded a fellowship from Stanford University in 1997. Solo exhibitions of her work have been organized at Mills College Art Museum, Oakland, CA; Transformer Station, Cleveland, OH; The Davis Museum, Wellesley, MA; Museum of Contemporary Art, Indianapolis, IN; Oakland Museum of California, and others. Select group exhibitions include Pier 24 Photography, San Francisco, CA; The Worcester Art Museum, MA; Fraenkel Gallery, San Francisco, CA; Aperture Gallery, New York, NY; Berkeley Art Museum and Pacific Film Archive, CA; Dorsky Gallery, New York, NY; Amarillo Museum of Art, Amarillo, TX; Weisman Art Museum, Minneapolis, MN; The Photographer’s Gallery, London, UK; the New Orleans Museum of Art, LA; and the Ogden Museum of Art, New Orleans, LA.

 Soren’s work is in many private and public collections including the Los Angeles County Museum of Art, CA; The Cleveland Museum of Art, OH; The New Orleans Museum of Art, LA; Harvard Art Museums, Cambridge, MA; the Oakland Museum of California; The George Eastman Museum, Rochester, NY; The Berkeley Art Museum and Pacific Film Archive, CA; Pier 24 Photography, San Francisco, CA; and The J. Paul Getty Museum, Los Angeles, CA. Her images have been featured in Hyperallergic, the Washington Post, California Sunday Magazine, ArtNews, Newsweek, and the Guardian, and publications include Fantasy Life (Aperture), Trace (Yoffy Press) and Surface Tension (RVB Books). She currently lives and works in San Francisco, California.

16 x 20" print, matted 20 x 24"

Archival Pigment Print

Edition of 10

Cig Harvey is a British-born artist and writer living in Maine, USA, and working in large-format color photography and poetry. Rich in implied narrative, saturated in color, and deeply rooted in the natural world, her work is devoted to the topic of what it is to feel.

Cig has published five sold-out books: Blue Violet (Monacelli/Phaidon, 2021), Reveal (with Debbie Fleming Caffrey and Andrea Modica; Yoffy Press, 2020); You an Orchestra You a Bomb (Schilt Publishing, 2017); Gardening at Night (Schilt Publishing, 2015); and You Look at Me Like an Emergency (Schilt Publishing, 2012).

Cig’s photographs and books are in the permanent collections of museums across the world, including The Metropolitan Museum of Art (New York City, New York); The Library of Congress (NewYork, New York): Yale University (New Haven, Connecticut); Museum of Fine Arts (Houston, Texas); the Farnsworth Art Museum (Rockland, Maine); and the International Museum of Photography and Film at the George Eastman House (Rochester, New York). She is represented by galleries worldwide and has exhibited at Paris Photo, Art Miami, and at AIPAD (New York) for the past fifteen years. She had her first solo museum show at the Stenersen Museum in Oslo, Norway (2012), and more recently at the Ogunquit Museum of American Art in Maine (2019).

Cig was awarded the Prix Virginia Laureate (2018) and the Farnsworth Art Museum’s Maine in America Award (2021). She has been a nominee for the John Gutmann Fellowship, the Santa Fe Prize, and the Prix Pictet, and a finalist for the BMW Prize, the Estee Lauder Collection, the Karl Lagerfeld Collection at Paris Photo, the Clarence John Laughlin Award, and the Taylor Wessing Photographic Portrait Prize. Most recently in 2022 Eat flowers won the Fine Press Book Association’s Judges Choice Award for Best Book in Show at the Manhattan Fine Press Book Fair, 

Cig lives in a farmhouse in Maine with her husband Doug and daughter Scout. The slow passing of time and the natural surroundings of her rural home has made her alert to the magic in the mundane.

Cig  is a member of the National Press Photographers Association (NPPA) and the Society of Professional Journalism (SPJ).

Edition of 10

Beth Moon has gained international recognition for her large-scale, richly toned platinum prints. Since 1999, her work has appeared in more than ninety solo and group exhibitions worldwide, receiving widespread critical acclaim in major fine art publicationsinternationally. Her prints are held in public collections such as The Museum of Fine Art Houston, The Cleveland Museum of Art, The Museum of Photographic Arts San Diego and The Museum of Modern and Contemporary Art in Bolzano, Italy. She is the author ofsix monographs with translated versions in French and German: including Ancient Trees: Portraits of Time, Ancient Trees: Ancient Skies and most recently, Baobab published by Abbeville Press.

16 x 20" print, matted 20 x 24"

Archival Pigment Print

Edition of 10

Jamie Johnson, is an accomplished photographer, who explores the intersection of historical processes and contemporary subjects. Inspired by the turn-of-the-century classroom and chalkboard, Johnson combines the timeless with the modern, using language and expression relevant to today. This unique approach, merging centuries-old techniques with present-day children, humor, and hope, defines her photographic style and reflects her broader view of photography as an art form.

As a mother, artist, and keen observer of familial connections around the world, Johnson’s work delves into themes of memory and the passage of time, while also leaving space for humor and irony. Her creative journey has also led her to return to historical photographic methods after years of digital client work. Johnson also employs an 8 x 10 camera paired with Civil War-era lenses to produce Wet Plate Collodion photographs. The process requires a great deal of patience, as it often demands stillness from her sitters—an especially challenging task with young children during exposures that can last up to ten seconds. Yet, this dedication to an antique process brings a rare and authentic quality to her imagery, resonating deeply with her artistic vision.

Edition of 10

Alison Shaw is a fine art and editorial photographer who lives and works on Martha's Vineyard. For nearly 50 years the Island has provided the primary subject matter for her photography.  Alison has twenty books to her credit, including Vineyard Summer (Little Brown), Sticks and Stones (Gibbs Smith) andSchooner (Vineyard Stories), and is regularly published in major magazines. She has taught photography workshops worldwide, and mentored hundreds of students. Alison is a 4-time recipient of the New England Press Association Photographer of the Year award for her photos which graced the pages of the Vineyard Gazette, where she also served as Director of Graphics and Design. Thousands of her fine art photos are in public and private collections, and Alison and her partner Sue Dawson are co-owners of the Alison Shaw Gallery in the Arts District of Oak Bluffs. You can view her fine art photos atwww.alisonshaw.com.