#Black&White

“Through my work as a model I naturally became interested in photography.. fashion photography, and at the beginning it was from the magazines of the time. That’s how I discovered the photos of Avedon, Irving Penn, Newton or Guy Bordin. And then it was through opportunity, the long waits in the studios during the fashion collections, and the chance of having a Nikon on loan, that I was able to start shooting back stage, and outside. I would take shots of my model colleagues. Yes, after 50 years of activity I define myself as a photographer”

 

~ Sarah Moon  

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“Landscape is nearly always present in one way or another in my work. Perhaps the key here is the triple meaning of “landscape”, a type of picture, a type of view and a type of place. The three cannot really be separated. The experience of a place is shaped in advance by our experience of images of it and of related places. It is easy to realize this but coming to terms with the profound implication of it can take a long time. It is a moving dynamic."

~ Anastasia Samoylova

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“My Credo, my way of life, my very being is based on images capable of engraving themselves indelibly in our inner soul’s eye. Also, through my personal vision, to reveal what cannot be readily seen, to capture what is most meaningful, to enrich our appreciation of life. It is to explore and celebrate the human condition and the world around us, nature and man together, to find significance in suffering and all that is profound, beautiful and nourishes the soul. Above all, I believe in creative work through struggle to increase human wisdom and happiness”

 

~ Louis Stettner
(1922-2016)

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“I have never been drawn by one thing in particular other than finishing what I started. That’s always been an obsession of mine. I was also determined to be successful in all the assignments I undertook. When I worked on advertising shoots, I chose the sets myself and really took things seriously. In my personal work, my commitment lays in the interest I had in seeing everything around me, in documenting it all and in letting myself be surprised by people, by what was going on in the street and all around me"

 

~ Sabine Weiss
(1924-2021)

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“There are no words to convey the moods of those moments. I believe that if I am able to express what I saw and felt, the image will contain qualities that may provide a basis for an imaginative response by the viewer”

 

~ Ansel Adams
(1902-1984)

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“I am a visual man. I watch, watch, watch. I understand things through my eyes”

 

~ Henri Cartier-Bresson
(1908 - 2004)

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“You cannot live when you are untouchable. Life is vulnerability"

 

~ Edouard Boubat
1923-1999

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“New York is a city I loved, a city that forgives nothing but accepts everyone - a place of a thousand moods and vistas, of countless faces in a moving crowd, each one silently talking to you”

 

~ Louis Stettner
(1922-2016)

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“You do things for yourself and you do things for other people and you hope that these things coincide”

 

~ William Klein
(1928-2022)

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"Torii gates in Japan symbolize the Shinto belief that deities reside not just in shrines, temples churches, mosques, synagogues and other institutionalized religious structures, but in nature, in the earth, sky and water. These gates serve as reminders to respect and honor the land, the earth and our universe. Personally, I regard them almost as road signs directing me to slow down and smell the roses. Every individual will have their own interpretations, but when I see a Torii gate, I immediately want to free myself from unwanted distractions, focus on what is important, escape from the noise of the world, unclutter my “stuff" and prioritize life. These are heady and ambitious resolutions, usually quite forgotten when back in the “other” world. This particular Torii gate stands outside a small shrine on a sparsely populated island in Shikoku. I have photographed it three times so far, always cognizant that the experience of concentrated waiting and watching could be considered a form of meditation, appropriate to the location."

 

~Michael Kenna

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“When I take a photograph I make a wish”

 

~ George Tice

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“I do not believe you can be a good photographer if you aren’t curious about others"

 

~ Martine Franck

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“There is a brief moment when all that there’s in a man’s mind and soul and spirit may be reflected through his eyes, his hands his attitude. This is the moment to record. This is the elusive “moment of truth”."

 

~ Yousuf Karsh
(1908 - 2002)

 

 

“If I don’t practice one day, I know it.
Two days the critics know it. Three days the public knows it”

 

~ Jascha Heifetz
(1901 - 1987)

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“Come forth into the light of things, let nature be your teacher.”

 

- William Wordsworth

 

 

"We live in trying times. Maybe this is the one thing everyone can agree on. There is a soothing and meditative quality to observing gently breaking waves. From the sounds to the random designs of the unique patterns; these experiences can transform us by shifting focus to something real, primal, and foundational. Such was the case of this photograph, made from the Venice (California) pier. I wanted to distill the shapes I was observing into core, minimalist elements."

 

~ Jeffrey Conley

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“Jazz is the only unhampered, unhindered expression of complete freedom yet produced in this country.”

 

~ Duke Ellington

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"When photography is good, it’s pretty interesting and when it is very good it is irrational and even magical…..nothing to do with the photographer’s conscious will or desire. When the photograph happens, it comes easily, as a gift that should not be questioned or analyzed."

 

~ Elliott Erwitt

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"This is a straight positive photograph of light slowed down by air movement and friction. A tiny light was suspended from the ceiling of the darkroom above an exposed piece of film. The design was caused by gravitation slowing down the light after the light was given a single push…."

~ Wynn Bullock

 

"My father wrote the above words on the back of a mounted print of this photograph of light. It is one of 18 images featured in the beautifully handcrafted 2017 publication of Relativity: Wynn Bullock and Albert Einstein. In his introductory essay, editor Collier Brown wrote: “In this book, 21st Editions presents two great twentieth-century thinkers, one a scientist, one an artist, but both on the same quest to perceive reality beyond the limitations of the senses. Behind both men’s work lies a kindred imagination…." Dad was fascinated by how the universe worked and photography was his way of probing its mysteries. In Gravitation Acceleration, 1950, physics and art come together in a stunningly elegant, graceful dance. "

~ Barbara Bullock-Wilson

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“Dress shabbily and they remember the dress. Dress impeccably and they remember the woman.”

~ Coco Chanel

 

“For years Madame Chanel had firmly refused to allow her dresses to be photographed, let alone herself, for Vogue. But one day in 1937 to the frank astonishment of Vogue’s Paris office, she sent word that she would consent to be photographed - on one condition, that I should be the photographer”

~ Horst P. Horst

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"And so from that time, I was bitten, and investigated and read and collected... and bought a lot."

 

~ Sir Elton John
(On his love of photography)

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“I photograph out of love to record beautiful forms. It’s a way of life, a compulsion. There is nothing I would rather do.”

 

~ Brett Weston

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"When gifts are given to me through my camera, I accept them graciously”

 

~ Minor White
(1908-1976)

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“My artistic quest is also a search for the characters in my dreams"

 

~ Flor Garduño

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“Photographing women is like capturing poetry in motion. Their beauty unfolds like verses and each frame reveals a new stanza of their story”

 

~ Lillian Bassman
(1917 - 2012)

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“Something catches your eye or your interest. You attack it in one way or observe it in some way and try and put it in some kind of form and take a picture. It’s as simple as that”

 

~ Elliott Erwitt
(1928 - 2023)

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“In my city we like to think of ourselves as risk-taking, edge-of-the continent explorers, rakish and louche. For example, we go from sleazy to elegance and find that logical. San Francisco is a city noted for its liberal attitude where anything goes. I just love this place.”

 

~ Fred Lyon
(1924-2022)

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"Within the swirling randomness of light and form in nature, sometimes wonderful elements line up out of pure chance - synchronicity. In my view, much of photographing the landscape is about the wonder of ephemeral elements and taking notice of juxtaposed parts that are constantly in motion. It’s all about being present, aware, responsive, and of course, lucky. This photograph was made on a hike on a mostly rainy day in November within the forest of Fontainebleau, France. I was captivated by the graceful shape of the branch and the way the background clouds seemed to mingle with the light and form. The balanced circumstances aligned briefly and then the moment was gone."

 

~ Jeffrey Conley

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“Solitary wanderings, eyes always peeled. As evening approaches, I wonder what meaning could be given to those encounters. Doubt often hovers nearby, but I photograph the way a musician hums. Looking is like breathing. So when luck offers me a good picture, joy is surely not far away”

 

~ Marc Riboud
(1923-2016)

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“The League taught me that no matter how original and talented the photographers vision might berth, ultimate success of the photograph was mutually dependent on the photographer and the world of reality around him or her. Not to ignore, but on the contrary to concentrate his or her talents on everyday working people and what was immediately around them in terms of living and environment”

 

~ Louis Stettner
(1922-2016)

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“I soon saw how the music came naturally. It wasn’t like they’d built in time to compose - they had to do it on the fly. There was a piano in Paul’s room. At one point John pulled up a chair and started tinkering. Paul joined in. John started humming what I would later recognize as the tune to,“Baby’s good to me you know / She’s happy as can be you know / She said so…..” But they got stuck. Where should it go after the melody?

 

George wandered over with his guitar and played a catchy rhythm - and -blues riff, plucking away. He seemed to be improvising, although John was later credited with writing the riff-influenced by Bobby Parker’s song “Watch Your Step” - the way I heard it that day it was George coming up with it. They appeared to be writing a song right in front of me. And as John and Paul kept at it on the piano, Ringo, in a black turtle-neck came over and stood next to George, and I had my shot: The Beatles composing “I Feel Fine”.

 

~ Harry Benson

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“I have a strong attraction to the American South. People there have a marvelous exterior - wonderful manners, warm friendliness until you touch on things you’re not supposed to touch on. Then you see the hardness beneath the mask of nice manners”

~ Elliott Erwitt
(1928 - 2023)

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“The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.”

~ William Faulkner

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“To walk alone in London is the greatest rest”

~ Virginia Woolf

 

“I’m not aware that I have a specific style. I just take pictures as I come across them”

~ Wolfgang Suschitzky

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"In our life there is a single color, as on an artist’s palette, which provides the meaning of life and art. It is the color of love."

 

~ Marc Chagall

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“What the human eye observes casually and incuriously, the eye of the camera notes with relentless fidelity."

~ Berenice Abbott

 

"If you could say it in words there would be no reason to paint. Great art is the outward expression of an inner life in the artist and this inner life would result in his or her personal vision of the world. No amount of skillful invention can replace the essential element of imagination”

 

~ Edward Hopper

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"I was lucky to discover a group of pine trees in 2007, while photographing watchtowers on the east coast beaches of Gangwando. When I first saw this copse, the trees were dramatic and dark, set against grey, ominous clouds. I photographed them at dusk, until it started to rain, and then drove off to visit a Buddhist temple many miles away. I was unaware that these trees were imminently at risk to be cut down and replaced with a liquified natural gas industrial development. Fortunately, an environmental movement was set up to fight against the destruction of the trees and it succeeded in preserving them. I was very happy to later learn that my photograph was used as part of their campaign. The LNG plant was eventually built, but it was put underground and the trees survive to this day. I have revisited this location many times since and intend to continue photographing these beautiful trees."

 

~ Michael Kenna

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"For me the camera is a sketchbook, an instrument of intuition and spontaneity, the master of the instant which in visual terms, questions and decides simultaneously. In order to give a meaning to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity and a sense of geometry. It is by economy of means that one arrives at simplicity of expression"

 

~ Henri Cartier-Bresson
(1908-2004)

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"My photographs are acts of eloquent homage and deep remorse about the city. I am profoundly moved by it’s lyric beauty and horrified by it’s cruelty and suffering"

~ Louis Stettner
(1922-2016)

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“I said to her, "Do something with the spirit of the studio corner" and she started to move on the sofa. She just made a movement. I took only two photographs. No need to shoot a hundred rolls like people do today. People in motion are wonderful to photograph. It means catching the right moment - the moment when something when something changes into something else”

~ Andre Kertész

 

“Whatever we have done, Kertesz did first. We all owe something to Kertesz”

 

~ Henri Cartier Bresson

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“If “The Wild One” were filmed today Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when Hells Angels became movie stars and Cal the hero of the book, the bike riders would perish on the coffee tables of America. But now I think that this attention doesn’t have the strength of reality of the people it aspires to know and that as long as Harley Davidsons are manufactured other bike riders will appear riding unknown and beautiful through Chicago into the streets of Cicero”

 

~ Danny Lyon

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“If you ask me what feelings the Eiffel Tower evokes for me, I’d have to say that indeed it’s a matter of sentiments. Those one feels for an old friend one is always glad to see again. A friend who was responsible for my first publication in LIFE in 1953. In the course of a long voyage full of more wear and rather less reason, laying eyes on this great lady again, you’re sure that at last you are home again. She is always there, quite erect, a bit arrogant as she looks down on us from so far above. More than ever she is courted by an increasing number of lovers who climb to conquer her. Her image marked our childhood and coming home from the country on a Sunday evening everyone of my children played the same game at the same age of around 3 or 4 of seeing who would be the first to see the familiar tower in the Paris sky.”

 

~ Marc Riboud. 1923-2016

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“The most valuable things in a life are a man’s memories. And they are priceless”

 

~ Andre Kertész

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"Photographing Lenny was always an event. There was always a buzz in the air, an excitement, an anticipation. When Lenny was in the house, something was going to happen. We didn’t know what, but we were on the edges of our chairs waiting to find out. I say we, as if I were one of the musicians. But I was also on stage (or hovering close by), and I found myself equally compelled to rise above my limits, and break through my upper expectations... And that was good. I was never able to let my guard down for a second – my concentration had to be complete if I wanted to follow where he was going – his energy could burst forth suddenly, his body leaping high off the podium, his arms flying in the air, eyes blazing, mouth agape… and then receding just as quickly, and barely moving, conducting with only his shoulders or eyebrows, eyes closed, deep inside the soul of the conductor…. Whatever it was, it was total immersion in the music, and the results are legendary. That night in March 1990, there was no way to know that Leonard Bernstein was struggling or that these would be the last photographs I would ever take of The Maestro. These performances were vintage Bernstein; he was as powerful and vital as ever, and it was thrilling. Yet, some point during the concert, it began to dawn on me that something was off, something was wrong. Not that it showed to the audience, but I was seeing something in him I had never before seen. His usual joy and light had somehow dimmed, and he had a gentle but profound sadness in his eyes, a deeper melancholy than I had ever before seen……Lenny died 7 and a half months later. Years after, as I was looking through these photos, I could not deny what I was seeing, so I emailed his daughter Jamie and asked if he knew at that time that he was dying. She emailed back: “I don’t know the answer to the question. But he knew ‘something wasn't right’ as far back as that January. I think maybe he had a feeling...”

 

~ Steve J. Sherman

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“I never had a “project”. I would go out and shoot, follow my eyes-- what they noticed. I tried to capture with my camera for others to see”

 

~ Helen Levitt (1913-2009)

“We had no idea about what we would find because it was the first time in my life that I would photograph landscapes and animals. Until then, I had only photographed one animal species in my career: the human being. So, it was an exceptional challenge”

 

~ Sebastião Salgado

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“This photograph of sand, sea and sky was made one early, cloudy morning on a beach in Calais, France. The exposure was probably about twenty minutes, judging by the movement of water and clouds. Over the years, my vision has been influenced by countless other photographers and I have often viewed my subject matter from the privileged shoulders of giants. I have long admired Hiroshi Sugimoto’s time exposure photographs of seafronts and theater screens. Even while making this image, I knew that it was heavily inspired by Sugimoto’s work. In Japanese, “Arigato" means “Thank you”, and “San" is an honorific word used after somebody’s name as a token of respect and esteem. Hence, Thank you Mr. Sugimoto!”

 

~ Michael Kenna 

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“I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us”

 

~ Henri Cartier-Bresson
(1908-2004)

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“Photography is a combination of the right choice of detail, the elimination of all that is inessential and the right moment that makes the picture”

 

~ Wolfgang Suschitzky

(1912-2016)

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“When you take a photograph, you are selecting an instant of life. It is like a personal discovery that I want to show everybody else, not as an achievement of mine but as something I want to share because I feel it is important”

 

~ Mariana Yampolsky

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“Photography is much more than just taking pictures – it is a way of life. What you feel, what you want to express, is your ideology and your ethics. It’s a language that allows you to travel over the wave of history.”

 

~ Sebastião Salgado

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“I did not want to be somebody who lived off his reputation. I wanted to continue to be part of the modern music scene”

~ Mick Rock

 

“Music should come crashing out of your speakers and grab you and the lyrics should challenge whatever preconceived notions the listener has"

~ Lou Reed
(1942-2013)

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“At first, I looked questionably at the field weeds and stems stuck into a vase, but on further scanning of the back ground, I became enamored of the pane of glass dappled with raindrops and misty patches of light. I was taken with how beautifully dark and light were splashed throughout the image and how easily the stems and dry flowers graced the vase. Taken as a whole, this photo meets the eye as an overall texture rather than as neatly grouped elements with a frame. Were it not for some of the parts showing how crisply they can be delineated by the camera lens, I would describe this photograph as being gently impressionistic."

 

~ Paul Caponigro

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"Working initially in Japan and then further afield in Asia reaffirmed for me what many artists, such as Albers, Brandt and Rothko, had already taught me: it is not necessary, or even desirable, to fill a rectangle with details. This “empty” white field of snow, shaded from grey to white, invites me, and I hope other viewers, to wander into its open expanse, leaving our tracks behind, before gazing into the distance where a magical mountain appears, floating on the horizon, almost as a mirage. On the right, black trees mark the edge of a forest, suggesting a whole other point of departure. Photography records and describes, but also interprets and invites. As the world continues to spin faster and faster, providing endless distractions, I increasingly prefer to spend time away from crowds, buildings, noise and screens, out in nature. If that is not possible, I can at least look at artworks made in these places and perhaps almost get lost in my own imagination.”

 

~ Michael Kenna

“I believe a lot in instinct. One should never dull it by wanting to know everything. One shouldn't ask too many questions but do what one does properly, never rush, and never torment oneself.”

 

~ Josef Sudek

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“I often see the materials of photography as being a type of terrain and I construct a landscape that I need to first explore in my mind’s eye if I am to make it manifest as an artful image in silver”

~ Paul Caponigro

 

"Come away, O human child to the waters and the wild. With a faery, hand in hand, for the world's more full of weeping than you can understand."

 

~ W. B. Yeates (The Stolen Child)

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"A photograph is a collision between a person with a camera and reality. The photograph is typically as interesting as the collision is."

 

~ Charles Harbutt

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"I was not prepared for the brutal cold which froze my bones and reduced me to an inexpressive drooling zombie by the end of the ride. To be fair, I was warned that it might get a bit chilly, photographing above Manhattan in the middle of winter, while strapped to the outside of an open helicopter. For the most part, I could not feel my finger tips, so was unsure when I had even made a photograph. And, there were the rolling waves of nausea, (which I would rather not elaborate on), as the helicopter banked and circled, with my eyes stuck to the back of the camera viewfinder. I relied on the statistical law of probability that if I kept photographing, at least one picture might turn out ok. I loved this one of the Empire State Building, the moment I saw it on the contact sheet. There are copious other images from different angles and points of view, but I think this has a certain magic. Perhaps someday I will go back into the darkroom to print one or two of the other negatives, but first, I need to get warm."

 

~ Michael Kenna

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“If I take a picture I have to account for it. I have opened something to someone’s reality”

 

~ Bruce Davidson 

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“I am a professional photographer by trade and an amateur photographer by vocation”

 

~ Elliott Erwitt

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“Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern.”

 

~ Oscar Wilde

"This photograph, “First Light, Oregon, 2020”, was made at a small lake in the mountains of central Oregon on a crisp late summer morning. It’s a place I go back to over and over again. Every day seems to have new secrets to reveal. I enjoy sleeping close to the water’s edge and waking very early to revel in the wonderful peace. There is something captivating to me about the way the mist gathers and rises at dawn. I find it mesmerizing."

 

~ Jeffrey Conley

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“A lot of photographers think that if they buy a better camera they’ll be able to take better photographs. A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.”

 

~ Arnold Newman

 

"Who sees the human face correctly: the photographer, the mirror, or the painter?"

 

~ Pablo Picasso

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"I see pictures I would like to take, I need another lifetime to photograph San Francisco. But my life has been so much fun I can't believe it. I keep thinking I'm being softened up for something really grim. And it hasn't happened yet."

 

~ Fred Lyon
(1924 - 2022)

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"I gravitate towards places where humans have been and are no more, to the edge of man’s influence, where the elements are taking over or covering man’s traces."

 

~ Michael Kenna

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“Every professional should remain always in his or her heart an amateur”

 

~ Alfred Eisenstaedt
(1898-1995)

 

“I can’t live one day without hearing music, playing it, studying it or thinking about it”

 

~ Leonard Bernstein
(1918-1990)

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"I never, ever, went out without my camera, even to buy bread."

 

~ Willy Ronis
(1910 - 2009)

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“Not everything that is faced can be changed, but nothing can be changed until it is faced.”

 

~ James Baldwin

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“I knew my destiny when I first experienced Yosemite”

 

~ Ansel Adams
(1902-1984)

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"A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body. The detail is as important as the essential is."

 

~ Christian Dior

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“Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space. I know of no sculpture, painting, or music that exceeds the compelling spiritual command of the soaring shape of granite cliff and dome, of patina of light on rock and forest, and of the thunder and whispering of the falling, flowing waters.”

 

~ Ansel Adams
(1902-1984)

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"My artistic eye is black and white. I'm used to seeing and visualizing in black and white and have only one way of taking pictures."

 

~ Gianni Berengo Gardin

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“It is difficult to conceive of a substance more impressively brilliant than the spurting plumes of white waters in sunlight against a deep blue sky”

 

~ Ansel Adams
(1902-1984)

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"I shoot film. I don’t think I could do work that I really believe in with the feel and the look that I want if I was shooting digitally. There’s a certain resistance that I’ve got. But the light coming through a 6×7 Pentax lens hitting on film, is something digital can’t duplicate—and I love the look of it."

 

~ Kurt Markus

(1947-2022)

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"What I can’t believe is how much I love photography even after all these years, it’s still brand new to me even though, you know, I started working the dark room at thirteen, it’s been my only job, whether I was teaching it or making it."

 

~ Cig Harvey

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“What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don’t want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.”

 

~ Sebastião Salgado

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"I sense Light as the giver of all presences, and material as spent Light. What is made by Light casts a shadow, and the shadow belongs to Light."

 

~ Louis Kahn

"The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way."

 

~ Ezra Stoller

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“In Japan, cherry blossoms, also known as Sakura, are venerated throughout the country as reminders and symbols of the transience and blissful glory of life. Festivals are planned and national meteorological advisories are broadcast to predict and document the sweeping pink wave which starts on the southern island of Okinawa in late February and moves up to northern Hokkaido by early May. In 2002, I was fortunate to be in Nara, Honshu at the perfect time. After a long day of exploring, and with the light fading, I came across these lush trees along the banks of a small canal as I walked back to my hotel. I had no tripod, and to keep the camera steady I jammed it up against a roadside fence. I could hardly see anything in the viewfinder, yet it resulted in this lovely, sweeping, out of focus, foreground shape. I quite forgot about this photograph until the negatives were processed and contact sheets made. The subsequent discovery was a delightfully unexpected and wonderful surprise.”

 

~ Michael Kenna

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"Get a book of great photographs and spend a week studying each shot. Every day, think about a different aspect: subject, composition, tonal range, the moment when the image was taken and how the photograph was made."

 

~ Pentti Sammallahti

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"If you ever saw me on a set—not now that I'm 94, but when I photographed for real, you know, on my feet—the moment I got interested in what I was doing, my shoes went off. I would get on the paper, dance barefoot, dance for the models, move in the way I wanted them to move, really dance barefoot in front of the camera, take on the body movements that I felt would get them to move—actually to dance in front of the camera."

 

~ Lillian Bassman
(1917 - 2012)

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“Adams feels deeply what he sees, he has a reverence for the earth in all its variety, delicacy and strength, but he is the absolute reverse of effusive: he sees with such austerity, even severity, that some have mistakenly called him cold. He has an incomparable technical expertness in communicating what he sees and feels, and for half a century and more he has gone on making photographs so plainly stamped with his personal artistry that they hardly need his steeple-A signature on them. They have taught thousands how to see: they have become household images, they have steadily affirmed life.”

 

~ Wallace Stegner

(1909-1993)

 

“I had a fine north-light window in my San Francisco home which gave beautiful illumination, especially on foggy days. My mother had proudly brought me a large, pale pink rose from our garden and I immediately wanted to photograph it. The north light from the window was marvelous for the translucent petals of the rosebud. I could not find an appropriate background. Everything I tried, bowls, pillows, stacked books and so on was unsatisfactory. I finally remembered a piece of weathered plywood picked up at nearby Baker Beach as wave - worn driftwood. Two pillows on a table supported the wood at the right height under the window and the rose rested comfortably upon it. The relationship of the plywood design to the petal shapes was fortunate and I lost no time completing the picture “

 

~ Ansel Adams
(1902-1984)

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“Photography is space, light, texture of course but the really important element is time - that nano second when the image organizes itself on the ground glass”

 

~ Ezra Stoller

 

"Fallingwater is a great blessing - one of the great blessings to be experienced here on earth, I think nothing yet ever equalled the coordination, sympathetic expression of the great principle of repose where forest and stream and rock and all the elements of structure are combined so quietly that really you listen not to any noise whatsoever although the music of the stream is there. But you listen to Fallingwater the way you listen to the quiet of the country..."

~ Frank Lloyd Wright

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"This is work. My work contains everything I love. It is all in each photograph. No darkness. No despair. No evil. No fear. Love chooses the settings. Love chooses the props. It is both the myth and the reality of my existence. My life on earth, to share. At the same time, it is a document and an homage to all that has inspired me."

~ Sheila Metzner

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