#Family of Man

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Scroll down below to explore the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for over three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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  • #1463 - Don McCullin

    Early Morning, West Hartlepool Steel Foundry, UK, 1963
    #1463 - Don McCullin

    “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures”

    ~ Don McCullin

  • #1452 - Louis Stettner

    Coming to America, 1951/Printed Later
    #1452 - Louis Stettner
    “My Credo, my way of life, my very being is based on images capable of engraving themselves indelibly in our inner soul’s eye. Also, through my personal vision, to reveal what cannot be readily seen, to capture what is most meaningful, to enrich our appreciation of life. It is to explore and celebrate the human condition and the world around us, nature and man together, to find significance in suffering and all that is profound, beautiful and nourishes the soul. Above all, I believe in creative work through struggle to increase human wisdom and happiness”~ Louis Stettner(1922 - 2016)
  • #1449 - Sabine Weiss

    Lost and Found, New York, 1955
    #1449 - Sabine Weiss

    “I was very sensitive to poverty, to children and people in need. I probably had a more compassionate way of looking at things”

     

    ~ Sabine Weiss
    (1924-2021)

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  • #1448 - Manuel Álvarez Bravo

    Pátzcuaro, c.1940s /Printed Later
    #1448 - Manuel Álvarez Bravo

    “Throughout my life I’ve never pursued anything. I just let things pursue me, they just show up. This is the way I’ve lead my life, not just in photography but in life”

     

    ~ Manuel Álvarez Bravo
    (1902-2002)

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  • #1404 - Henri Cartier-Bresson

    “Photography is nothing - it’s life that interests me”

     

    ~ Henri Cartier-Bresson
    (1908-2004)

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  • #1403 - Kurt Markus

    White Horse Ranch, 1984, printed 2005
    #1403 - Kurt Markus

    “I’ve entered into an unspoken, unwritten, and generally inscrutable pact with the people I have photographed and lived amongst. If I promise not to tell all I know about them, they will do the same for me”

    ~ Kurt Markus

    (1947 - 2022)

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  • #1401 - Wynn Bullock

    Navigation Without Numbers, 1957 (Printed before 1965)
    #1401 - Wynn Bullock

    "Perhaps the most important thing to note about this haunting photograph is that it was not fabricated by the artist. The woman was a waif who had been given shelter by the caretaker of a remote ranch in Big Sur. It was a favorite site for Bullock and he had become friends with her, occasionally giving her work as a model. Earlier in the day, Bullock had been shaken by a strong premonition that she would eventually be forced to give up her son. When she put him on the bed for a nap and then moved to the edge of it, the premonition seemed to come to life before his eyes. It should also be noted that the book on the window sill that gives the photograph its title is a classic text on how to make one’s way across dark waters."

     

    ~ Chris Johnson and Barbara Bullock-Wilson
    from Wynn Bullock: 55, Phaidon Press, 2001

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  • #1397 - Henri Cartier-Bresson

    Ballerina, Moscow, 1954 / Printed circa early 1990's
    #1397 - Henri Cartier-Bresson

    “One must always take photos with the greatest respect for the subject and for oneself”

    ~ Henri Cartier Bresson

    “He was the Tolstoy of Photography with profound humanity. He was the witness of the 20th Century”

    ~ Richard Avedon

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  • #1375 - Dorothy Bohm

    Jardin des Tuileries, Paris, 1953
    #1375 - Dorothy Bohm

    “A photograph fulfills my deep need to stop things from disappearing”

     

    ~ Dorothy Bohm
    1924 - 2023

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  • #1295 - Louis Stettner

    Coming to America, 1951/Printed Later
    #1295 - Louis Stettner

    “A good photograph becomes something more than just a good photograph. It has meaning and value that extends beyond the medium itself. Something spiritual that reveals something about life”

     

    ~ Louis Stettner
    (1922-2016)

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  • #1270 - Steve McCurry

    Floating Offerings, Varanasi, India, 1996
    #1270 - Steve McCurry

    "There’s a contemplative or meditative quality to photography, which I find to be a sort of peaceful state. When I’m walking around photographing, I get into a particular mindset where I become much more attuned to the world around me."

     

    ~ Steve McCurry

  • #1264 - Henri Cartier-Bresson

    Rue Mouffetard, 1954
    #1264 - Henri Cartier-Bresson

    “It is through living that we discover ourselves, at the same time as we discover the world around us”

     

    ~ Henri Cartier-Bresson
    (1908 - 2004)

  • #1261 - Eve Arnold

    Baby's Arm, 1959
    #1261 - Eve Arnold

    “I have been poor and I wanted to document poverty. I had lost a child and I was obsessed with birth. I was interested in politics and I wanted to know how it affected our lives. I am a woman and I wanted to know about women”

     

    ~ Eve Arnold
    (1912-2012)

  • #1255 - George Tice

    Joe's Barber Shop, Patterson, New Jersey, 1970
    #1255 - George Tice

    “Photography teaches us to see, and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.”

     

    ~ George Tice

  • #1252 - Henri Cartier-Bresson

    Simiane-la-Rotonde, 1970
    #1252 - Henri Cartier-Bresson

    “For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which in visual terms, questions and decides simultaneously. In order to give a meaning to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity and a sense of geometry. It is by economy of means that one arrives at simplicity of expression"

     

    ~ Henri Cartier-Bresson
    (1908 - 2004)

  • #1250 - Elliott Erwitt

    New York City [Three men in tutu], 1956
    #1250 - Elliott Erwitt

    “You can find pictures anywhere. It’s simply a matter of noticing things and organizing them. You just have to care about what’s around you and have a concern with humanity and the human comedy”

     

    ~ Eliott Erwitt

  • #1249 | Steve McCurry

    Fisherman at Weligama, Sri Lanka, 1995 (Printed 2020)
    #1249 | Steve McCurry

    'In viewing the images in Devotion and at Peter Fetterman Gallery, I can only conclude that if, as the saying goes, “Beauty is in the eye of the beholder.,” then I’d revise that to say “Beauty is in the eye of Steve McCurry.'

     

    ~ Tom Teicholz

  • #1247 | John Edward Sache

    Kashmir: Bridge built by Akbar on the Dal Lake, 1870's
    #1247 | John Edward Sache
    John Edward Saché arrived in Calcutta from the United States of America in the latter part of 1864. As the capital of British India, Calcutta provided an optimal environment for photographers to establish their businesses. Saché would spend his summers operating from his studio nestled in the hills, where many sought refuge from the oppressive heat, and return to the plains during the pleasant winter months.Over the course of nearly two decades spent in India, John Edward Saché produced over 500 images and ran a successful enterprise, elevating him to the ranks of the foremost photographers of his time. His extensive travels throughout northern India encompassed major landmarks and towns, resulting in a rich collection of images that showcased his mastery of picturesque compositions.
  • #1245 - Sebastião Salgado

    Nenets nomads camp, Siberia, Russia, 2011
    #1245 - Sebastião Salgado

    “It is important that you respect what you are photographing."

     

    ~ Sebastião Salgado

  • #1244 - Elliott Erwitt

    Bratsk, Siberia, 1967
    #1244 - Elliott Erwitt

    “In general I don’t think too much. I certainly don’t use those funny words museum people and art critics like”

     

    ~ Elliott Erwitt
    (1928 - 2023)

  • #1239 - Henri Cartier-Bresson

    Lisbon, Portugal, 1955
    #1239 - Henri Cartier-Bresson

    “Think about the photo before and after, never during. The secret is to take your time. You mustn’t go too fast. The subject must forget about you.Then however, you must be very quick”

     

    ~ Henri Cartier-Bresson
    (1908-2004)

  • #1224 - Sebastião Salgado

    Kuwait Portfolio, 1991
    #1224 - Sebastião Salgado

    It felt as if the end were nigh. With the sun obliterated by a dark smoked Dantean landscape stretched as far as the eye could see. The horizon itself was marked by torches of fire where burning oil leapt from the lifeless desert. And all around, thick pillars of crude oil spewed into the sky before falling back to earth to form treacly black lakes that, without warning, could become gigantic infernos. Finally there was the noise, a deafening roar that only grew louder as I came closer to the source of this cataclysm, the hundreds of oil wells that had been sabotaged and set alight by the Iraqi army near the end of its occupation of Kuwait between early August 1990 and late 1991".

     

    ~ Sebastião Salgado
    Kuwait. A Desert on Fire.

  • #1217 - Henri Cartier-Bresson

    Swan Lake, Bolshoi Theatre, Moscow, USSR, 1954
    #1217 - Henri Cartier-Bresson
    "Taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one’s originality. It is a way of life."

    ~Henri Cartier-Bresson
    (1908-2004)
  • #1213 - Steve McCurry

    Procession of Nuns, Burma, 1994
    #1213 - Steve McCurry

    “People always ask me “How do you relate to people. How do you get people to open up and relax?" I think it is just a question of experience. I think it’s a question of enjoying being with people.”

     

    ~ Steve McCurry

  • #1195 - Louis Stettner

    "Crossing the Seine" Mother and Child, Paris, 1950
    #1195 - Louis Stettner

    “Most important was the outdoor studio that was Paris. I would take long daily walks with my camera, leaving myself open to what ever happened around me. Sometimes I am asked why I did it. There was no economic basis and the possibility of recognition was slight. I suppose I was drawn by a great need and love to get close to the world around me. Each photograph was a way of reaching out and an act of discovery”

     

    ~ Louis Stettner (1922-2006)

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  • #1192 - Dan Budnik

    Martin Luther King, Jr. March on Washington, Minutes After Delivering "I Have A Dream" Speech., April 28, 1963
    #1192 - Dan Budnik

    "We shall overcome because the arc of the moral universe is long, but it bends toward justice."

     

    ~ Martin Luther King Jr.
    Washington National Cathedral, March 31, 1968

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  • #1190 - Henri Cartier-Bresson

    Valencia Spain, 1933 (Printed 1970's)
    #1190 - Henri Cartier-Bresson

    “I believe that, through the act of living, the discovery of oneself is made concurrently with the discovery of the world around us”

     

    ~ Henri Cartier-Bresson
    (1908-2004)

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  • #1183 - Henri Cartier-Bresson

    View from Notre Dame, Paris, France, 1955
    #1183 - Henri Cartier-Bresson

    “Photography is nothing. It’s life that interests me"

     

    ~ Henri Cartier-Bresson

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  • #1180 - Sebastião Salgado

    A meeting of a religious community in Base, on the road to Attilo, Chimborazo. Ecuador, 1982
    #1180 - Sebastião Salgado

    “Photography is much more than just taking pictures – it is a way of life. What you feel, what you want to express, is your ideology and your ethics. It’s a language that allows you to travel over the wave of history.”

     

    ~ Sebastião Salgado

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  • #1177 - Charles Harbutt

    The Good Kiss, New Year's Eve, Times Square, NYC, 1959-60, printed later
    #1177 - Charles Harbutt

    "Photography is a unique visual language that cannot be expressed in words. As a matter of fact, if it can be expressed in words, then it probably isn’t worth photographing."

     

    ~ Charles Harbutt

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  • #1173 - John Bulmer

    Girl in a Red Phone Box, United Kingdom, 1966
    #1173 - John Bulmer

    "They were getting ready for their annual Village Fete and the lady was calling a friend to get the recipe for some tarts to bake. Her little girl had been in a phone box and found out that if you pressed Button B then sometimes money came out (Do you remember the old UK phone boxes?). The Mother therefore told the child that she had to face outwards and keep her hands off the buttons. I heard this story more than 50 years later when I showed the pictures in Pembridge Village Hall and I met the former child. This picture was on the cover of the Sunday Times issue”

     

    ~ John Bulmer

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  • #1168 - William Claxton

    Times Square, NYC, 1960, printed 1999
    #1168 - William Claxton

    "All I ask you to do is to listen with your eyes. The international language of jazz and photography need no special education or sophistication to be enjoyed."

     

    ~ William Claxton

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  • #1166 - Elliott Erwitt

    Ranch Boy with Father, 1954
    #1166 - Elliott Erwitt

    “There’s a time for photographs that say “hello”. And there’s a time to listen”

     

    ~ Elliott Erwitt
    (1928-2023)

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  • #1150 - Ted Russell

    Bob Dylan and James Baldwin talking at the Emergency Civil Liberties Committee's Bill of Rights Dinner, NYC, 1963
    #1150 - Ted Russell

    “Not everything that is faced can be changed, but nothing can be changed until it is faced.”

     

    ~ James Baldwin

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  • #1127 - Jacques Lowe

    Playground, Glasgow, Scotland, 1954
    #1127 - Jacques Lowe

    "...Jacques Lowe was monumentally self-effacing. This, I believe, is why his camera caught so much human truth. There are no orchestrated 'photo-opportunities here..."

     

    ~ Arthur Schlesinger, Jr.
    American Historian and Social Critic
    (1917 - 2007)

  • #1082 - Bruce Davidson

    Untitled (couple dancing by jukebox), Chicago, 1962
    #1082 - Bruce Davidson

    “I’ve had the privilege of being an outsider allowed on the inside searching for beauty, meaning and myself”

     

    ~ Bruce Davidson

  • #1077 - Sebastião Salgado

    Gold Mine, Serra Pelada, Brazil, (Figure Eight), 1986 (Printed 2020)
    #1077 - Sebastião Salgado

    “The working class for me was the most important element of industrial and agricultural production.”

     

    ~ Sebastião Salgado

  • #1074 - Bruce Davidson

    Untitled, Washington DC, 1963
    #1074 - Bruce Davidson

    “W. Eugene Smith’s photo essays taught me that a photograph could not only communicate emotion, but could also save the human condition”

     

    ~ Bruce Davidson

  • #1049 - Alfred Eisenstadt

    Cold Landscape, Study 2, Sanai, Hokkaido, Japan, 2007/printed 2019
    #1049 - Alfred Eisenstadt

    "I often think of my work as visual haiku. It is an attempt to evoke and suggest through as few elements as possible rather than to describe with tremendous detail."

    ~ Michael Kenna

  • #1046 - Steve McCurry

    Monk in Contemplation. Songnisan National Park, South Korea, 2007
    #1046 - Steve McCurry

    “Said to be the most beautiful temple in South Korea, the Beopjusa Monastery, tucked in among the lush green hills of Songnisan National Park, was founded in AD 553. The name means ‘temple in which resides the teaching of the Buddha’, and the monastery is dedicated to the worship of Maitreya, the Future Buddha. As this image reveals, it is a place of peace and deep contemplation. ”


    ~ Steve McCurry

  • #1042 - Steve McCurry

    A coffee farmer prays in an empty church on the slopes of Mt. Kilimanjaro, Maande Village, Tanzania, 2012
    #1042 - Steve McCurry

    "I have seen many manifestations of faith during my travels over the past three decades. Some have been spontaneous, some have been part of a liturgy, some have been prescribed rituals, some have been in magnificent buildings, others have been outside under a tree. Many people's faith is embedded in the way they live their lives."

     

    ~ Steve McCurry

  • #1040 - Steve McCurry

    Boy Between Two Relatives. Hajjah, Yemen, 1999
    #1040 - Steve McCurry

    "I spent the day at a wedding with this family in Sana'a, Yemen. As the father and uncle left late in the afternoon, the boy seemed tired and bored. It reminded me what it was like to go to adult events when I was young, and longing to be out playing. It's a tradition in Yemen for men to wear a Jambiya, a curved dagger, around their waist. It is typically given to sons by their fathers."


    ~ Steve McCurry

  • #1018 - Bruce Davidson

    Hugging Couple, Ferris wheel, Coney Island, 1962
    #1018 - Bruce Davidson

    "You get not only a picture of who you're photographing, but you get a picture of yourself at the same time."


    ~ Bruce Davidson

  • #1017 - Jacques Lowe

    Hyannis Port Summer, Bobby, Michael, Courtney and dog Brumus, 1962
    #1017 - Jacques Lowe

    “The purpose of life is to contribute in some way to making things better."


    ~ Robert Francis Kennedy
    (1925 - 1968)

  • #986 - Fathers Day | Elliott Erwitt

    Provence, France (Boy on Bicycle), 1955/Printed Later
    #986 - Fathers Day | Elliott Erwitt

    “Someday you will know that a father is much happier in his children’s happiness than in his own. I cannot explain it to you: it is a feeling in your body that spreads gladness through you.”

    ~ Honore de Balzac
    (Le Père Goriot, 1835)

  • #978 - Father's Day | John Dominis

    Jacques D'Amboise Playing with his Children, Seattle, Washington, 1962, printed 2006
    #978 - Father's Day | John Dominis

    "I am not ashamed to say that no man I ever met was my father's equal, and I never loved any other man as much."

     

    ~ Hedy Lamarr

  • #970 - Elliott Erwitt

    Douglas, Wyoming. 1954
    #970 - Elliott Erwitt

    “To me photography is an art of observation. It’s about finding something interesting in an ordinary place. I’ve found it has little to do with the things you see and everything to do with the way you see them"

     

    ~ Elliott Erwitt

  • #962 - Willy Ronis | Mother's Day

    Le Nu Provençal, Gordes, 1949
    #962 - Willy Ronis | Mother's Day

    "Mothers hold their children's hands for a short while, but their hearts forever."

     

    ~ Unknown

  • #960 - Bert Hardy

    Millions Like Her, Betty Burden, A Shop Girl, Birmingham, 1951/Printed Later
    #960 - Bert Hardy

    “The ideal picture tells something of the essence of life. It sums up emotion, it holds the feeling of movement thereby implying the continuity of life. It shows some aspect of humanity, the way that the person who looks at the picture will at once recognize as startlingly true”

     

    ~ Bert Hardy

  • #945 - Edouard Boubat

    Tuscany, Italy, 1956/Printed Later
    #945 - Edouard Boubat

    "Mother's love, that divine gift which comforts, purifies, and strengthens all who seek it."


    ~ Louisa May Alcott

  • #922 - George Zimbel

    The Bridesmaid, Philadelphia, 1953
    #922 - George Zimbel

    “My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph, a very personal view of life, a knowledge of technique and of course, information. It is the information that gets the viewer, but it is the photographer’s art that holds them."


    ~ George Zimbel

  • #918 - Harry Callahan

    Eleanor and Barbara, Chicago, 1954
    #918 - Harry Callahan

    “If you choose your subject selectively, intuitively, the camera can write poetry.”

     

    ~ Harry Callahan

     

  • #902 - Robert Doisneau

    L' aéroplane de Papa, 1934
    #902 - Robert Doisneau

    “If I knew how to take a good photograph, I’d do it every time”

    ~ Robert Doisneau
    1912-1994

  • #901 - Louis Stettner

    The Family ("Manege") 14th Arrondissement, Paris, c. 1950-51
    #901 - Louis Stettner

    “I always felt the difference between New York and Paris is that Paris nourishes you by the fact that it is very beautiful.You see living history all around you. The whole flavor of the place is one of harmony and beauty. It raises the human spirit"

     

    ~ Louis Stettner

  • #883 - Gertrude Käsebier

    The Manger, 1903
    #883 - Gertrude Käsebier

    “The key to artistic photography is to work out your own thoughts, by yourself. Imitation leads to certain disaster. New ideas are always antagonized. Do not mind that. If a thing is good it will survive”

     

    ~ Gertrude Käsebier
    (1853-1934)

  • #871 - Edouard Boubat

    Tuscany, Italy, 1956/Printed Later
    #871 - Edouard Boubat

    “Just like the thunderbolt of first love or a first glance wipes away everything else and creates a kind of emptiness, I swear that at the precise moment of clicking the shutter, I have no forethought, no desire, no intention, no memory. The subject has taken hold of me: this is the impulse of acting without self interest. It happens in a moment. I am open, this opening lets in the fleeting moment when everything is bathed in the same light. This is how artists, painters, musicians, photographers - truly know themselves. Deep down they feel the same thrill as everyone else. The first glance is complete, in the light of the whole. I take portraits of light”

    ~ Edouard Boubat
    (1923 - 1999)

  • #814 - Manuel Alvarez Bravo

    La Hija de los Danzantes [The Daughter of the Dancers], 1933
    #814 - Manuel Alvarez Bravo

    “I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes - instinct is the same as inspiration, and eventually it comes.”

     

    ~ Manuel Alvarez Bravo (Mexico, b. 1902-2002)

  • #807 - Flor Garduño

    La Mujer Que Sueña, Pinotepa Nacional, México, 1991
    #807 - Flor Garduño

    "The models are friends of mine: these photographs involve moments of complicity that only a friend could accept. If there is no fondness between the model and the photographer, this kind of work cannot be done."

     

    ~ Flor Garduño

  • #803 - Sabine Weiss

    La petite égyptienne, 1983
    #803 - Sabine Weiss

    “I think that a photograph to be strong has to recount some aspect of the human condition, enable us to feel the emotion that the photographer felt before her subject”

     

    ~ Sabine Weiss

  • #9 - Bruce Davidson

    4th of July Fireworks, 1962
    #9 - Bruce Davidson
    Bruce is one of the great Magnum photographers best known for his gritty urban work. This is a rare gem in his archive. Full of wonderment, humanity and hope.
  • #3 - Wynn Bullock

    Woman's Hands, 1956 (printed 1991)
    #3 - Wynn Bullock
    Wynn Bullock, to my mind, is one the greatest 20th Century photographers. Often eclipsed by his more well known contemporaries, Edward Weston and Ansel Adams.  This is a haunting portrait of his mother’s hands taken in his modest house in Carmel in 1956. The beauty of the print just knocks me out and is the definition of the word “primal”.
  • #1 - Anonymous

    The Wailing Wall, Jerusalem c. 1860
    #1 - Anonymous

    Jerusalem has been, and is, the spiritual home to three major religions: Judaism, Christianity and Islam. To say it is a magical place is a great understatement.

    I have seen and collected many images of The Holy Land but this recent acquisition is I think the greatest I have ever seen taken at this special place. I believe it to be a unique print. It is as if Irving Penn had been transported back in time.