#C20th

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Scroll down below to explore the latest posts from our daily collecting guide, Peter's quotes, notes and reflections from forty years of collecting and dealing in photography. Started during lockdown and continued by popular demand for over three years now, daily posts are sent by email to our mailing list subscribers, with live works for sale and related works to explore, as well as advance previews of exhibitions and events.

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Access the previous 800 posts in our archive pages starting in March 2020 here
Use the #tags below right to search by category and subject. If there is a particular subject, era, style or artist of interest, please contact our concierge service for a tailor-made private view.

  • #820 - Willy Ronis

    Le Petit Parisian, Paris, 1952
    #820 - Willy Ronis

    “I had set up near a bakery at peak hour and after a few attempts, I was not sure I had the right image. Then I noticed a boy seriously counting his pennies while waiting for his turn and I explained to him what I needed from him. Exit the bakery in a hurry with the loaf held tilted under his left arm. The first attempt was too tense, the second was perfect. We went back into the bakery to eat a chocolate treat together"

    ~ Willy Ronis


    “250 grams of magic and perfection in our daily lives. A French way of life. We had been fighting for years with bakers and the world of gastronomy for its recognition. The baguette is now a Unesco intangible heritage.”


    ~ Emmanuel Macron (President of France)

  • #819 - Louis Stettner

    Windshield, Saratoga Springs, New York, 1957 (Printed 1981)
    #819 - Louis Stettner

    “My way of life, my very being is based on images capable of engraving themselves indelibly in our inner soul’s eye.”


    ~ Louis Stettner (1922 -2016)

  • #817 - Sabine Weiss

    Paris, 1950, printed later
    #817 - Sabine Weiss

    “Light, gesture, gaze, movement, silence, tension, rest, rigor, relaxation. I would like to incorporate everything in this instant, to express the essence of humanity with the minimum of means”

     

    ~ Sabine Weiss

  • #814 - Manuel Alvarez Bravo

    La Hija de los Danzantes [The Daughter of the Dancers], 1933
    #814 - Manuel Alvarez Bravo

    “I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes - instinct is the same as inspiration, and eventually it comes.”

     

    ~ Manuel Alvarez Bravo (Mexico, b. 1902-2002)

  • #812 - Daido Moriyama

    Tomei Expressway, 1969
    #812 - Daido Moriyama

    "For me photographs are taken in the eye before you've even thought what they mean. That's the reality I'm interested in capturing"


    ~ Daido Moriyama

  • #811 - René Groebli

    Various #307, 1946
    #811 - René Groebli

    "He is a magician with the camera, the camera being his magic eye."

    ~David Blochwitz

  • #810 - John Szarkowski

    Farm Near Caledonia, Minnesota, 1957/Printed 2007
    #810 - John Szarkowski

    "It isn't what a picture is of, it is what it is about."

     

    ~ John Szarkowski
    (1925-2007)

  • #809 - Don Hunstein

    Billie Holiday, New York City, December 1957
    #809 - Don Hunstein

    “People don’t understand the kind of fight it takes to record what you want to record the way you want to record it”


    ~ Billie Holiday

    “I was merely a living witness. What does any good journalist do? Record what’s going on, observe the artist and their expressions, then leap in. You’ve got to react to something that’s happening or anticipate that it’s about to happen.”

     

    ~ Don Hunstein

  • #808 - André Kertész

    Elizabeth, Paris, 1931
    #808 - André Kertész

    “My work is inspired by my life. I express myself through my photographs. Everything that surrounds me provokes my feelings"

     

    ~ André Kertész (1895-1985)

  • #806 - Ansel Adams

    Oak Tree, Snowstorm, Yosemite National Park, California , 1948 (Printed 1981)
    #806 - Ansel Adams

    “A great photograph is a full expression of what one feels about what is being photographed in the deepest sense and is thereby a true expression of what one feels about life in it’s entirety. And the expression of what one feels should be set forth in terms of simple devotion to the medium - a statement of the utmost clarity and perfection possible under the conditions of creation and production”

    ~Ansel Adams
    (1902-1984)

     

    “Ansel Adams was one of the great photographers of this century. He was also one of the best loved spokespersons for the obligations we owe to the natural world. It has been easy to confuse the related but distinct achievements that earned him these twin honors. Although he devoted a lifetime to the cause of wilderness preservation, Adams did not photograph the landscape as a matter of social service but as a form of private worship. It was his own soul that he was trying to save. His great work was done under the stimulus of a profound and mystical experience of the natural world”

    John Szarkowski
    (1925 - 2007)

  • #805 - Harry Benson

    Sir Winston Churchill, Harrow School, England, 1960
    #805 - Harry Benson

    “Success is the ability to go from one failure to another with no loss of enthusiasm” ~Winston Churchill
    (1874-1965)

    “Churchill was arguably the most important man of the 20th Century and one of the reasons I wanted to become a photojournalist. This was Sir Winston’s last visit to his old school, Harrow. For the occasion students added a chorus to the school’s song...“And Churchill’s name shall win acclaim through each new generation."... It brought tears to his eyes. It was his last visit to the school.”

    ~Harry Benson

  • #804 - Ralph Eugene Meatyard

    Untitled - 2 boys and doorways, 1960
    #804 - Ralph Eugene Meatyard

    “The camera is an unsophisticated mechanical instrument which, like a mirror, reflects passively without a conscience. The artist must supply the conscience.”


    ~ Ralph Eugene Meatyard
    (1925-1972)

  • #803 - Sabine Weiss

    La petite égyptienne, 1983
    #803 - Sabine Weiss

    “I think that a photograph to be strong has to recount some aspect of the human condition, enable us to feel the emotion that the photographer felt before her subject”

     

    ~ Sabine Weiss

  • #801 - Don Huntstein

    Bob Dylan, New York Apartment [holding guitar], February 1963
    #801 - Don Huntstein

    “A hero is someone who understands the responsibility that comes with their freedom”

    ~Bob Dylan (b. 1941)

  • #9 - Bruce Davidson

    4th of July Fireworks, 1962
    #9 - Bruce Davidson
    Bruce is one of the great Magnum photographers best known for his gritty urban work. This is a rare gem in his archive. Full of wonderment, humanity and hope.
  • #8 - Dan Budnik

    March on Washington - Martin Luther King Jr. after delivering his, ‘I Have a Dream’ speech, Lincoln Memorial, Washington D.C., August 28, 1963
    #8 - Dan Budnik
    "I need to become completely anonymous if I’m to capture the essence, the root fact about the person and not merely their surface."

    ~Dan Budnik
  • #7 - Ansel Adams

    Trailer - Camp Children, Richmond, California
    #7 - Ansel Adams

    Ansel Adams is justly celebrated for his epic depictions of majestic landscapes, but this rare, little discussed, haunting image of displaced children shows his profound empathy for humanity. Certainly on a par with his close colleague Dorothea Lange’s, “Migrant Mother”, certainly no less powerful.

  • #5 - Kristoffer Albrecht

    Small Apples, 1984
    #5 - Kristoffer Albrecht

    I was visiting our great friend and artist, Pentti Sammallahti, in Helsinki and I casually said to him, “Perhaps there is another great photographer in Finland I should meet?”

  • #4 - Arnold Newman

    Senator John F. Kennedy at the Capitol, Washington DC, 1953
    #4 - Arnold Newman

    This is my favorite Arnold Newman image. Such a great environmental portrait with a true sense of destiny as JFK looks to the future. Where is our leader now?

  • #3 - Wynn Bullock

    Woman's Hands, 1956 (printed 1991)
    #3 - Wynn Bullock
    Wynn Bullock, to my mind, is one the greatest 20th Century photographers. Often eclipsed by his more well known contemporaries, Edward Weston and Ansel Adams.  This is a haunting portrait of his mother’s hands taken in his modest house in Carmel in 1956. The beauty of the print just knocks me out and is the definition of the word “primal”.
  • #2 - Alfred Stieglitz

    The Steerage, 1907
    #2 - Alfred Stieglitz

    Of course, “The Steerage” is one of the most celebrated images in the history of photography. For good reason as its' genius graphic construction and human empathy is utterly timeless.

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