#C20th

“To be born in a country which is not free means that you appreciate freedom. You don’t think of it as something automatic, and you don’t want anyone to take it from you”

 

~ Josef Koudelka

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"I like people to be entertained, but I don't want it to be empty. I like to give some nourishment."

 

~ Fred Zinnemann
(1907-1997)

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“A lot of photographers think that if they buy a better camera they’ll be able to take better photographs. A better camera won’t do a thing for you if you don’t have anything in your head or in your heart.”

 

~ Arnold Newman

 

"Who sees the human face correctly: the photographer, the mirror, or the painter?"

 

~ Pablo Picasso

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"I see pictures I would like to take, I need another lifetime to photograph San Francisco. But my life has been so much fun I can't believe it. I keep thinking I'm being softened up for something really grim. And it hasn't happened yet."

 

~ Fred Lyon
(1924 - 2022)

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“Every professional should remain always in his or her heart an amateur”

 

~ Alfred Eisenstaedt
(1898-1995)

 

“I can’t live one day without hearing music, playing it, studying it or thinking about it”

 

~ Leonard Bernstein
(1918-1990)

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"I never, ever, went out without my camera, even to buy bread."

 

~ Willy Ronis
(1910 - 2009)

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“Not everything that is faced can be changed, but nothing can be changed until it is faced.”

 

~ James Baldwin

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“I knew my destiny when I first experienced Yosemite”

 

~ Ansel Adams
(1902-1984)

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"A dress is a piece of ephemeral architecture, designed to enhance the proportions of the female body. The detail is as important as the essential is."

 

~ Christian Dior

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“Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space. I know of no sculpture, painting, or music that exceeds the compelling spiritual command of the soaring shape of granite cliff and dome, of patina of light on rock and forest, and of the thunder and whispering of the falling, flowing waters.”

 

~ Ansel Adams
(1902-1984)

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"The photograph came off as planned. What had seemed to some as too dangerous or difficult to accomplish, became my fantasy fulfilled, and my most memorable self–assigned photograph."

~ Ormond Gigli
(1925 - 2019)

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"My artistic eye is black and white. I'm used to seeing and visualizing in black and white and have only one way of taking pictures."

 

~ Gianni Berengo Gardin

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“It is difficult to conceive of a substance more impressively brilliant than the spurting plumes of white waters in sunlight against a deep blue sky”

 

~ Ansel Adams
(1902-1984)

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"I shoot film. I don’t think I could do work that I really believe in with the feel and the look that I want if I was shooting digitally. There’s a certain resistance that I’ve got. But the light coming through a 6×7 Pentax lens hitting on film, is something digital can’t duplicate—and I love the look of it."

 

~ Kurt Markus

(1947-2022)

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"I sense Light as the giver of all presences, and material as spent Light. What is made by Light casts a shadow, and the shadow belongs to Light."

 

~ Louis Kahn

"The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way."

 

~ Ezra Stoller

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"Get a book of great photographs and spend a week studying each shot. Every day, think about a different aspect: subject, composition, tonal range, the moment when the image was taken and how the photograph was made."

 

~ Pentti Sammallahti

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"If you ever saw me on a set—not now that I'm 94, but when I photographed for real, you know, on my feet—the moment I got interested in what I was doing, my shoes went off. I would get on the paper, dance barefoot, dance for the models, move in the way I wanted them to move, really dance barefoot in front of the camera, take on the body movements that I felt would get them to move—actually to dance in front of the camera."

 

~ Lillian Bassman
(1917 - 2012)

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“If you wait, people will forget your camera and the soul will drift up into view.”

 

~ Steve McCurry

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“I couldn’t believe I was going to photograph Bob Dylan. I chose the Ambassador Hotel because of the variety it gave me as a location. It also had a great history. It was where the Rat Pack used to hang out and play at its Coconut Grove Room. Also Robert Kennedy was assassinated there. Dylan was also interested in the history of the location. I think he stayed a few hours more for that reason. We also decided to create images with atmosphere and capturing special moments. We decided to find some props and someone came back with some foreign language newspapers and we thought it would be fun to go with that. I was simply amazed he even showed up !”

 

~ Danny Clinch

 

“What’s money? A man is a success if he gets up in the morning and goes to bed at night and in between does what he wants to do”

 

~ Bob Dylan

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“Adams feels deeply what he sees, he has a reverence for the earth in all its variety, delicacy and strength, but he is the absolute reverse of effusive: he sees with such austerity, even severity, that some have mistakenly called him cold. He has an incomparable technical expertness in communicating what he sees and feels, and for half a century and more he has gone on making photographs so plainly stamped with his personal artistry that they hardly need his steeple-A signature on them. They have taught thousands how to see: they have become household images, they have steadily affirmed life.”

 

~ Wallace Stegner

(1909-1993)

 

“I had a fine north-light window in my San Francisco home which gave beautiful illumination, especially on foggy days. My mother had proudly brought me a large, pale pink rose from our garden and I immediately wanted to photograph it. The north light from the window was marvelous for the translucent petals of the rosebud. I could not find an appropriate background. Everything I tried, bowls, pillows, stacked books and so on was unsatisfactory. I finally remembered a piece of weathered plywood picked up at nearby Baker Beach as wave - worn driftwood. Two pillows on a table supported the wood at the right height under the window and the rose rested comfortably upon it. The relationship of the plywood design to the petal shapes was fortunate and I lost no time completing the picture “

 

~ Ansel Adams
(1902-1984)

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“Photography is space, light, texture of course but the really important element is time - that nano second when the image organizes itself on the ground glass”

 

~ Ezra Stoller

 

"Fallingwater is a great blessing - one of the great blessings to be experienced here on earth, I think nothing yet ever equalled the coordination, sympathetic expression of the great principle of repose where forest and stream and rock and all the elements of structure are combined so quietly that really you listen not to any noise whatsoever although the music of the stream is there. But you listen to Fallingwater the way you listen to the quiet of the country..."

~ Frank Lloyd Wright

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"This is work. My work contains everything I love. It is all in each photograph. No darkness. No despair. No evil. No fear. Love chooses the settings. Love chooses the props. It is both the myth and the reality of my existence. My life on earth, to share. At the same time, it is a document and an homage to all that has inspired me."

~ Sheila Metzner

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"The key point is not the technique of how the image was made, but the idea and the vision."

 

~ Melvin Sokolsky
(1933 - 2022)

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"The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch...[he] created a new syntax for the photographic vocabularity, for no one before him had hand-worked negatives with such painterly intentions and a skill unsurpassed by his successors."

 

~ Weston Naef

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"...Jacques Lowe was monumentally self-effacing. This, I believe, is why his camera caught so much human truth. There are no orchestrated 'photo-opportunities here..."

 

~ Arthur Schlesinger, Jr.
American Historian and Social Critic
(1917 - 2007)

"Photography is a waiting game. The shutter may take only a instant, but the photographer has waited for exactly the right subject, the correct perspective, the perfect light, carefully arranging it all in the frame to be paused in time."

 

~ Douglas Gilbert

"I saw photographing jazz artists as a visual diary of what I was hearing. I wanted to preserve the mood and atmosphere as much as possible. My goal was to capture these artists at the height of their finest creative moments."

 

~ Herman Leonard
(1923-2010)

EXHIBITION OPENING

Sheila Metzner : Objects of Desire
November 4th, 2023 - January 5th, 2024

"All I want is to preserve that wonderful something which so purely exists between us."

 

~ Alfred Stieglitz
(1918-2006)

“I think of a hero as someone who understands the degree of responsibility that comes with his freedom”

 

~ Bob Dylan

“Bob Dylan’s arrival in New York was like a prophecy come true. He fit the image that had already been established by Pete Seeger in his blue jeans and work shirts and by Woody Guthrie - a refugee from the dust bowl era -and his dirty rugged clothing. Dylan stepped into this legacy and played his character well with his own comedy and original insights. People remember that he was “stealing" from everybody around him, absorbing the entire scene. In the process he energized folk music, created his own songs, incorporated earlier American traditional music, shaped Rock’n’Roll and wrote some of the most moving songs of the century”

 

~ John Cohen
(1932 - 2019)

“I want to find an echo between myself and the world, a resonance”

 

~ Sarah Moon

"There had been a raging blizzard during the night. When I awakened in my bed, I looked toward the window to see a magnificent display of frost. Nature’s storm had playfully arranged what seemed to be stationary snowflakes on the pane of glass. Looking through the window and its decoration of frosted crystals. I saw a tree trunk with its branches rhythmically and joyfully dancing as if in celebration of the visual magic that was before my eyes. It was now up to me to quickly arise and to gather my equipment and film to etch all this beauty and magic onto film and silver paper”

 

~Paul Caponigro

“At that time, whatever Dylan would send to the record companies, they would use. He picked all the inside photographs also. They were lying around my studio and he chose them."

 

~ Jerry Schatzberg

“Everything around us, dead or alive, in the eyes of a crazy photographer mysteriously takes on many variations, so that a seemingly dead object comes to life through light or by its surroundings....to capture some of this - I suppose that’s lyricism.”

~ Josef Sudek

“The work is grounded. It’s solid and it hasn’t changed.. I have, but not the photographs.. I have great admiration for whoever I was, whoever the person was that did the work somehow in that time”

 

~ Sheila Metzner

“Nothing is ever the same twice because everything is always gone forever, and yet each moment has infinite photographic possibilities.”

~ Michael Kenna

“For me, the camera is a sketch book, an instrument of intuition and spontaneity"

~ Henri Cartier Bresson

“It is still color, it is not yet light”

~Pierre Bonnard

"It took me 30 years and a lot of pain to discover the truth of what Henri Cartier Bresson always said “One should only use one camera, with one lens that coincides with your angle of vision, with the same film at its normal speed. The rest is just gimmicks and hardware”

~ Jean-Philippe Charbonnier

“She’s my first love”

~ Miles Davis

“He’s a man I have deep love for and huge admiration”

~ Juliette Greco

“All I can be is me - whoever that is.”

~ Bob Dylan

"I think that what you've got to do is discover the essential truth of the situation, and have a point of view about it"

~ Burt Glinn

"You always have two choices:
your commitment versus your fear"

~ Sammy Davis Jr.

“Being a photographer primarily involves being an observer, and on one particular day, while sipping coffee at the kitchen table, I noticed that the glass door leading out to the porch carried a patina of etched shapes upon it. It was wintertime and the cold of the outdoors meeting the warmth of the kitchen had left shapes like snowflakes and broader patches of frost across the entire pane of glass. The observer in me saw the potential for a picture and so I brought my view camera into the kitchen and played with the image on my ground glass until I created a good composition that exposed the uniqueness of the frost and winter’s handiwork. I focused on the plane carrying the frost and this selective focusing caused any objects behind the frosted glass to be seen as soft -edged and out of focus. A bright light falling on some objects on the porch appeared as a soft cloud in the midst of the frost pattern. In the final print from the negative, I was pleased with the coming together of shapes and tones that created a nebulous space in which mystery and beauty hovered together"

~ Paul Caponigro

"I heard something click, when I photographed the Edmund Petus bridge November 2022. I heard Sunday March 7, 1965. I heard dogs, horses, cries, all currency blowing in the wind, paying the price of change. Bridges connect, this bridge connects a less than pleasant past to promises of a brighter future. I heard it with my own eyes that night."

~ John Simmons

“The idea was that if I could light the cone and the sphere, the girl and the clothes would look alright”

~ Sheila Metzner

“I moved very well in front of the camera. My arms, my legs - I seemed able to do anything with them - I felt absolutely wonderful when I moved with Lillian. It was like being free - it was like being in heaven"

~ Barbara Mullen
(1927-2023)

“There are models that are not models but muses. She had everything marvelous: a beautiful neck, grace, the ability to respond to me”

~ Lillian Bassman
(1917-2012)

"I don’t always know why I’m photographing something. It’s my learning machine."

~ Bruce Davidson

"This appears to be a lonely picture when I look at it—like a couple of kids practicing harmonies alone in their back yard. Except that is the inverse of the truth: behind me are 250,000 marchers for the Washington March in 1963, 60 years ago. The biggest DC crowd ever at that time. Joan asked Bob to accompany her on one of the side stages before the march. Later, Baez sang alone on the big stage where Dr King made his Dream speech. This happened in August. The previous month, these two were at the Newport Folk Festival. Dylan's breakout weekend."

 

~ Rowland Scherman

"Photography is space, light, texture, of course, but the really important element is time - that nanosecond when the image organizes itself on the ground glass."

 

~ Ezra Stoller

We are looking forward to the opening of “The Power of Photography” exhibition at the Bowers Museum this Saturday! This exhibition will feature a selection of over 70 original prints curated by collector and gallerist Peter Fetterman, on view October 7th, 2023 to January 14th 2024. The museum will also be hosting a number of events around the exhibition including a lecture and book signing by Peter Fetterman on October 7th at the Bowers Museum. To attend the event online or at the museum please see below for tickets and more information.

“Though flaunting its charm by the light of day, the flower seems to have been hiding an aspect of it’s deeper interior as I studied it on my camera’s ground glass. Having photographed and studied the sunflower in many of its growing aspects, I was intrigued with the images presented in its process of drying and dying. Beauty always attended its outer aspects in life, whereas the folding up of the dying petals gave images a more interior and reflective stance, like that taught by the mystics”

~ Paul Caponigro

"I traveled the world, when it was a different time. I have been from A to Z, from Alaska to Zanzibar, Mongolia, you name it. It’s outstanding to think how much the world has changed in my lifetime, isn’t it?"

~ Sheila Metzner

"The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.”

 

~ Brett Weston

“I like to have information rather than just have a brushstroke. Just to have these words to put in these feelings underneath.”

 

~ Jean-Michel Basquiat

"It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture."

 

~ Elliott Erwitt

“In time I came to realize that good photography was not the result of good technique alone. The expressive print requires emotional depth and not merely dazzle, and can only be artistically effective if the soft-edged realm of emotion is united with hard-edged technical concerns. Much like the ugly duckling’s story, one need await beauty through maturity, and this transition takes photography from a medium of recording to one of transforming. I saw that light, chemistry, film and coated papers were all endowed with the power to release the feeling of magic within the silver print. While working in the field or in my darkroom, I often felt that a complete openness to my subjects and materials brought about the notion that I alone was not making choices, but that the subjects and materials were at times choosing me. The picture making realm has a voice of its own and my primary tool working therein would be the ability to listen to a very pregnant silence”

 

~ Paul Caponigro

"I have entered into an unspoken, unwritten and generally inscrutable pact with the people I have photographed and lived among: if I promise not to tell all I know about them, they will do the same for me."

~ Kurt Markus
(1947-2022)

“When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume—and it's like a play.”

 

~ Graciela Iturbide

We are pleased to announce that we have secured a group of the first editions copies of the amazing new Magnum Opus book Bob Dylan, Mixing up the Medicine (published by our friends Callaway), due to be released October 24th, 2023. I know this first edition is close to selling out already and will become a highly sought out and valuable collectible book in the years to come as this is the definitive bible on Bob Dylan.

If you would like to pre order some copies please contact Peter at peter@peterfetterman.com. The book is available at $100 (+packing/shipping).

Bob Dylan
Mixing Up The Medicine
Publisher: Callaway
608 pages
$100.00

Exhibition Opening : Tuesday, October 24th. 5-7 PM

Peter Fetterman Gallery, Santa Monica
2525 Michigan Ave, Suite A1

RSVP's Essential

“Photography teaches us to see, and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.”

 

~ George Tice

“I believe only in the rectangle. Filling that rectangle with a photograph remains the most challenging thing you can do. If you have to go outside of it, bringing in other non-photographic things to put inside, you run the risk of gimmickry. For me, the most powerful expression is the simplest.”

~ Kurt Markus

“When our paths crossed I found the man who taught me happiness”

 

~ Robert Doisneau

“From the city of Kyoto Japan, a tram may be taken to ascend the nearby mountain where temples, shrines and sand gardens nestle in among the shifting fog so prevalent at that altitude. With my camera, I moved as quietly as the fog itself and came upon a place where a temple structure and a large dark tree appeared as if bathing themselves in the mysterious mountain atmosphere. The quiet of the place and the dignity of the structures and tree created a sense of sanctity and inspired awe within this magical space. I believe that my photograph captured the beauty and peacefulness that was seldom encountered in the city’s bustle below.”

 

~ Paul Caponigro

“Always keep your eyes open. Keep watching. Because whatever you see can inspire you.”

 

~ Grace Coddington

“Photography's potential as a great image-maker and communicator is really no different from the same potential in the best poetry where familiar, everyday words, placed within a special context can soar above the intellect and touch subtle reality in a unique way"

 

~ Paul Caponigro

“I’ve had the privilege of being an outsider allowed on the inside searching for beauty, meaning and myself”

 

~ Bruce Davidson

“Everything inside the frame is equally important”

 

~ Pentti Sammallahti

“Humble's impres­sive output of colour photographs does for LA by day what Brassai did for Paris by night. Despite their geographic specificity, though, what makes Humble's pictures intriguing isn't the way they create a sense of place about the city, but how they capture its sense of dislocation. ”

 

~ Carmine Iannaccone

“It was along a Kentucky Highway that I was prompted to stop and consider making a photograph of a stand of trees gracing the hillside that more than intrigued me. An inner feeling like “deja vu” convinced me to stop along the road to ponder what was before me and might soon be focused on my camera’s ground glass.

Having one’s attention sharply taken by a simple scene can give a state of inner quiet that helps in understanding more deeply the nature of such an encounter. I had the realization that I had seen, in exact detail this very landscape in one of my dreams prior to physically arriving at this seemingly predetermined place. Time and space had been patiently awaiting my arrival to create a photograph of the world in between. A nebulous and elusive dream space had found it’s way into the solid light of day”

 

~ Paul Caponigro

“The working class for me was the most important element of industrial and agricultural production.”

 

~ Sebastião Salgado

“Viewers of this image are often surprised and question how the pears appear to be so white, since these fruits do have varying degrees of color to them. In fact the items I photographed were ceramic replicas of the fruit. My daughter-in-law had purchased a group of these accurately shaped ceramics and generously gave one to me upon my asking for it. While holding the ceramic pear in my hand to admire its beauty, I thought about taking a photograph of it. I looked about my house and found a simple wooden bowl to use as a background, but the combination did not satisfy. Remembering that my daughter-in-law had bought several of these ceramics, I asked her for another one, but she objected and suggested I borrow one only. I chose the second pear for being the right size and shape to sit harmoniously next to mine in the dark wooden bowl. This still-life arrangement pleased me and many others who have seen the photograph. When I gave my daughter-in-law a finished print of "Two Pears” she was especially pleased.”

~ Paul Caponigro

“W. Eugene Smith’s photo essays taught me that a photograph could not only communicate emotion, but could also save the human condition”

 

~ Bruce Davidson

“Tears fell from my eyes when I saw the first two prints. I said, "Mr. Fresson, I'm going to be working with you for a long time."

 

~ Sheila Metzner

“But my way of photographing a party would be to walk around constantly just looking for something interesting … you know, if a girl looked particularly beautiful, or if a guy was doing something outrageous, or if it was just an interesting composition.”

 

~ Dafydd Jones

“I like to have information rather than just have a brushstroke. Just to have these words to put in these feelings underneath.”

~ Jean-Michel Basquiat
(1960-1988)

“Photography is a medium, a language, through which I might come to experience directly, live more closely with, the interaction between myself and nature.”

 

~ Paul Caponigro

“I believe that photography loves banal objects, and I love the life of objects."

 

~ Josef Sudek

“The basis for my artistic work is concrete observation. I am interested in the photographs as a physical object and all the prints are made by myself."

~ Kristoffer Albrecht

“The mountains are calling, and I must go.”

~ John Muir

"Sometimes you walk a very thin line as an artist. It’s dangerous. You have to let yourself go, but not too far. "

~ William Gilles

"I was trying to give an honest picture of a city.
But San Francisco was so beautiful visually."

~ Max Yavno

"Well, if it stays with you—over time—it has a certain power, right? I think there are so many things about a photograph that might make it “great.” "

~ Brigitte Carnochan