Yousuf Karsh, famed Armenian-Canadian portrait photographer, is renowned for his ability to photograph the essence of his subjects through his lens. One of his memorable sessions involved photographing the legendary cellist, Pablo Casals.
The session took place in 1954, in the small village of Prades in the French Pyrenees, where Casals had settled in a form of self-imposed exile due to his opposition to the Franco regime in Spain. Karsh's journey to photograph Casals was not merely a photographic assignment; it was an encounter with a kindred spirit who shared a profound love for the arts and a deep commitment to human rights. The photograph that resulted from this session is one of Karsh's most iconic images.
“As I drove along the dusty road to Prades in 1954, I had the feeling that I was on a pilgrimage bent. I was going to meet that great self-exile and patron saint of music, Pablo Casals. He did not disappoint me. I had never photographed a warmer or more sensitive human being."
~ Yousuf Karsh
(1908 - 2002)
“Of course, I continue to play and to practice. I think I would do so if I lived for another hundred years.”
~ Pablo Casals
(1876 - 1973)
ENQUIRE ABOUT THIS WORK
Casals is photographed facing away from the camera, seated with his cello, his hands occupied with the instrument, performing for a stone wall. Immediately you can sense he brings a lifetime of passion, dedication, and wisdom to the room. But then you notice, above Casals, in the far right corner, a small window looms. Perhaps amongst his genius, it speaks of the isolation of a musicians career, the practice room, the sacrifice and commitment required. However you want to interpret, it is absolutely key and a perfect example of Karsh's brilliance with his camera.
The photograph is not just a portrait of a musician; it is a testament to Casals' spirit and his lifelong dedication to his art and his principles. A great example of how Karsh's work transcends mere photography, becoming a profound statement about the human spirit.
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